The Guns of Navarone (1961) Directed by J. Lee Thompson, Alexander Mackendrick
Action / Adventure / Drama / War
aka: Carl Foreman's Production The Guns of Navarone
Film Review
J. Lee Thompson's blockbuster adaptation of Alistair MacLean's
best-selling novel The Guns of
Navarone pulls out all the stops and makes a gripping wartime
action thriller, despite being at least thirty minutes too long and
resorting to the kind of tired clichés which must have curled a
few toes even when the film was first seen. Thompson's
superlative direction of the numerous action scenes compensate for some
obvious deficiencies in the screenplay, which is weak on characterisation
and plays the tacky sanctimonious card a little too often for most
people's taste. Alexander Mackendrick was originally assigned to
direct the film but was sent packing early into the shoot after falling
out with producer Carl Foreman.
Gregory Pecks heads a cast of impeccable quality, with every big name
actor pulling his weight to the utmost. David Niven periodically
steals the focus from his illustrious co-stars with his over-righteous
but sincerely meant tirades against the immorality of war, but it is
the formidable Anthony Quinn who delivers the best performance, helped
by the fact that his is the only character that is not a walking
cliché. Although a lot of time is wasted on tedious
running about and futile shouting matches, the film redeems itself with
its nerve-wrackingly tense denouement, which stands as one of the most
exciting and most stunningly realised climaxes to any film in the
action genre. Dimitri Tiomkin's evocative score and Oswald
Morris's sumptuous colour cinematography bring a poetic touch that
helps to distract us from the all-too-mechanical plot. Although
it was nominated for seven Academy Awards (in categories that included Best Film and
Best Director), The Guns
of Navarone only won one award, for its special effects.
The film's enormous popularity motivated Alistair
MacLean to write a sequel to his original novel, Force 10 from Navarone, which was
later adapted as a film, but without success.
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
It is 1943. Two thousand British soldiers are stranded on the
island of Keros in the Aegean Sea and face certain death when the
Germans launch an all-out assault on the region in a bid to draw
neutral Turkey into the war. Attempts by the Royal Navy to rescue
the soldiers are thwarted by two massive guns situated in a mountain
fortress on the nearby island of Navarone. In a last
desperate attempt to save the soldiers, a small commando group is
assembled and sent to Navarone on a mission to blow up the guns.
The group is led by Major Roy Franklin, whose enthusiasm is not matched
by his experience, and includes ace mountaineer Captain Keith Mallory,
explosives expert Corporal Miller, ruthless Greek colonel Andrea
Stavros, vicious Greek-American Spyros Pappadimos and cut-throat
assassin Butcher Brown. During a daring ascent of a sheer
cliff face, Franklin is injured and Mallory assumes command. The
group then meets up with local resistance fighters as planned but
things soon begin to go wrong. It is as if someone in the group
is working for the Germans...
Cast:Gregory Peck (Mallory),
David Niven (Miller),
Anthony Quinn (Andrea),
Stanley Baker (Brown),
Anthony Quayle (Franklin),
James Darren (Pappadimos),
Irene Papas (Maria),
Gia Scala (Anna),
James Robertson Justice (Jensen),
Richard Harris (Barnsby),
Bryan Forbes (Cohn),
Allan Cuthbertson (Baker),
Michael Trubshawe (Weaver),
Percy Herbert (Grogan),
George Mikell (Sessler),
Walter Gotell (Muesel),
Tutte Lemkow (Nicolai),
Albert Lieven (Commandant),
Norman Wooland (Group Captain),
Cleo Scouloudi (Bride)
Country: UK / USA
Language: English / Greek / German
Support: Black and White
Runtime: 158 min
Aka:Carl Foreman's Production The Guns of Navarone
The best of Indian cinema
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.