The English Patient (1996)
Directed by Anthony Minghella

Romance / Drama

Film Review

Abstract picture representing The English Patient (1996)
The English Patient is an exquisite and poignant portrait of a fragmented love in a fragmented world.  With its stunning cinematography - which delivers most of the film's emotional impact, particularly the flashback sequences in the desert - and some excellent acting performances, it is a magnificently constructed piece of cinema.

Appropriately, since the film is set at a time of upheaval and confusion, the narrative is fragmented, with the central story told through a series of flashbacks.  The approach works well - in fact, it is possible that if the film had followed the conventional linear narrative form it would have ended up a rather bland but pretty melodrama.

When it was first released, The English Patient won immediate critical acclaim from virtually all quarters.  When the film was awarded its nine Oscars, this praise was tempered and some critics began to attack the film for its superficiality.

It is true that the English Patient suffers from some defects in its plotting - the central love story is almost a cliché, the subplot involving Hana and her Indian lover has little substance, the arrival of the vindictive Caravaggio who comes to taunt the patient is too contrived…  Yet none of this really matters a great deal.  What makes The English Patient such a great film is the way it is filmed and pieced together.  Watching the film gives the same pleasure as reading a good whodunnit whilst listening to a piece of Bach - it is an intellectual exercise which rewards the soul and the mind in ways which are both direct and very subtle.

© James Travers 2000
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

In Italy towards the end of the World War Two, a Canadian nurse Hana is tending to a disfigured pilot whose aircraft was shot down in North Africa.  Nothing is known about the dying man, who is referred to only as "The English Patient".  When their hospital is attacked, Hana and her patient move to an abandoned monastery, where the patient begins to remember his past.  He recalls that during an expedition to map the Sahara Desert, he fell in love with the wife of one of his colleagues...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Anthony Minghella
  • Script: Michael Ondaatje (novel), Anthony Minghella
  • Cinematographer: John Seale
  • Music: Gabriel Yared
  • Cast: Ralph Fiennes (Count Laszlo de Almásy), Juliette Binoche (Hana), Willem Dafoe (David Caravaggio), Kristin Scott Thomas (Katharine Clifton), Naveen Andrews (Kip), Colin Firth (Geoffrey Clifton), Julian Wadham (Madox), Jürgen Prochnow (Major Muller), Kevin Whately (Sgt. Hardy), Clive Merrison (Fenelon-Barnes), Nino Castelnuovo (D'Agostino), Hichem Rostom (Fouad), Peter Rühring (Bermann), Geordie Johnson (Oliver), Torri Higginson (Mary), Liisa Repo-Martell (Jan), Raymond Coulthard (Rupert Douglas), Philip Whitchurch (Corporal Dade), Lee Ross (Spalding), Anthony Smee (Beach Interrogation Officer)
  • Country: USA / UK
  • Language: English / German / Italian / Arabic
  • Support: Color
  • Runtime: 160 min

The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright