Appropriately, since the film is set at a time of upheaval and confusion, the narrative is fragmented, with the central story told through a series of flashbacks. The approach works well - in fact, it is possible that if the film had followed the conventional linear narrative form it would have ended up a rather bland but pretty melodrama.
When it was first released, The English Patient won immediate critical acclaim from virtually all quarters. When the film was awarded its nine Oscars, this praise was tempered and some critics began to attack the film for its superficiality.
It is true that the English Patient suffers from some defects in its plotting - the central love story is almost a cliché, the subplot involving Hana and her Indian lover has little substance, the arrival of the vindictive Caravaggio who comes to taunt the patient is too contrived… Yet none of this really matters a great deal. What makes The English Patient such a great film is the way it is filmed and pieced together. Watching the film gives the same pleasure as reading a good whodunnit whilst listening to a piece of Bach - it is an intellectual exercise which rewards the soul and the mind in ways which are both direct and very subtle.