Film Review
The Dirty Dozen is the
defining American war film of the late 1960s. Whilst it was not
itself intended as a reaction to the conflict in Vietnam it did come
along at the moment just when public opinion was beginning to turn
against the war. With its strident anti-authority, anti-military
tone, the film played a part in establishing the counter-culture in
American cinema and would have a lasting effect on audiences and film directors,
making a distinct break with the war films of the past which glorified
heroism and wallowed in America's military supremacy.
The Dirty Dozen was a film that
caught the Zeitgeist, probably like no other film in history, and this is borne out
by the fact it was one of MGM's biggest box office successes
and remains a popular classic of its genre.
Director Robert Aldrich had made several war films prior to this, many
of which - most notably the mould-breaking
Attack (1956) - were noted for
their gritty realism and uncompromising depictions of violence.
The Dirty Dozen was no less
controversial and was condemned by many critics who judged the film
obscenely nihilistic and some of its more graphic sequences
unnecessarily sadistic. By today's standards, the film is pretty
mild and has lost much of its shock value, although the action-packed
denouement (the attack on the château) remains one of the most
exciting and impressively choreographed action sequences of any war film.
What is perhaps most surprising about
The
Dirty Dozen is how much humour it contains. The lengthy
middle section, where the twelve convicts take on the U.S. military and
emerge as a mean fighting unit (in spite of, rather than because of,
military discipline), feels like a dry run for Robert Altman's
MASH
(1970) - particularly as Donald Sutherland plays a part in the anarchic
proceedings. The sleek underbelly of black humour runs right
through the film, fuelled by what is obviously a deep-rooted
pathological loathing for authority and the military. The irony
of the United State army training killers to be killers (rebranding
criminals as heroes) will not be lost on the spectator, although it
isn't clear whether Aldrich is intending to make some profound moral
point or is just out to have a good time. Whichever it is,
thanks to Aldrich's slick direction and a sterling effort from a star-studded ensemble cast
(led by Lee Marvin at his sardonic best),
The Dirty Dozen delivers the goods
with gusto - you can enjoy it as both a vitriolic anti-war piece and a
rollicking good action-adventure yarn. Either way, authority gets it where it hurts.
© James Travers 2010
The above content is owned by filmsdefrance.com and must not be copied.
Next Robert Aldrich film:
Kiss Me Deadly (1955)
Film Synopsis
England, 1944. On the eve of the Allied invasion of Normandy in
WWII, Major John Reisman is offered a most unusual assignment. He
must take twelve convicted criminals and transform them into a crack
fighting team, their mission: to infiltrate a château in Brittany
that is used as a Nazi retreat and eliminate as many German officers as
possible. If the mission is a success, the convicts who survive
will have their sentences commuted; if not, they will either die in
battle or be shipped back to the United States to rot in prison or
hang. Reisman is not daunted by the scale of the undertaking and
manages to turn a pack of sociopathic authority-hating rebels and
deviants into an effective squad of combatants. The Nazis have no
idea what is coming their way...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.