The Beekeeper (1986) Directed by Theodoros Angelopoulos
Drama
aka: O melissokomos
Film Review
Often overlooked, The Beekeeper is one of Greek director Theo Angelopoulos' most
profound works and features a harrowingly poignant performance from Italian actor Marcello
Mastroianni. With its long takes and unhurried pace, the film is likely to be
unbearably slow for most cinema audiences, but for those who have the patience it is an
eye-opening and profoundly humanist work. The expressive cinematography makes what
little dialogue there is in the film virtually superfluous: it is too easy to read the
sense of suffering and regret simply from the actors' portrayals and their bleak post-industrial
surroundings.
The film's central theme is how two diametrically opposed spirits - a world-weary retired
teacher and a pleasure-seeking adolescent - can make contact as a result of a natural
animalistic attraction and a shared sense of isolation. The two characters have
very little in common, yet they are drawn together by a force which neither can control
or rationalise, a fundamental unconscious desire to be loved. Ironically,
there is little passion in the film - all emotions are tightly suppressed and it is the
lack of emotion which makes the film so intensely poignant and bitterly realistic.
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Film Synopsis
After giving up his job as a schoolteacher 60-year-old Spiros needs a hobby
to occupy him, so he decides to take up beekeeping. He has separated
from his wife, so after attending his daughter's wedding, Spiros is free
to do what he pleases, and it pleases him to travel around Greece in his
truck with his collection of beehives. It is in the course of this
aimless wandering that Spiros comes into contact with a teenage girl.
They have little in common and are separated in age by more than forty years,
and yet these two rudderless individuals are somehow drawn to one another.
Spiros resumes his journey in the company of the girl, occasionally stopping
to call on his old friends and his wife. Finally, Spiros overcomes
his restraint and his relationship with the girl becomes physical...
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.