Tenue correcte exigée (1997)
Directed by Philippe Lioret

Comedy / Crime
aka: Proper Attire Required

Film Review

Abstract picture representing Tenue correcte exigee (1997)
Philippe Lioret followed his first film - the black comedy-drama Tombés du ciel (1993) - with this good-humoured farce which appears somewhat out of place in the filmography of the director known for more serious fare such as L'Équipier (2004) and Welcome (2009). The characters, situations and dialogue are all typical of an unbridled French farce, making this an entertaining, albeit slightly messy, piece of Gallic fun.

Lioret is well-served by a truly talented cast which is headed by Jacques Gamblin and Elsa Zylberstein (who are better known for serious roles than comedy).  The script is admittedly weak in a few places (the Audi-Audit misunderstanding is just plain silly), but this is more than made up for by the colourful contributions from the cast.  Jean Yanne is simply brilliant as the paranoid hotel manager, and has a memorable double act with Daniel Prévost.   Zinedine Soualem also deserves special mention as an unfortunate taxi cab driver with a good line in sarcasm.

The film is weakest when it tries to be cleverest.  Occasionally, you sense that Lioret is struggling to make some bold political points, but nowhere does this seem to work.  The characters are too stereotypical, too cartoon-like, for this ever to be anything more than a broad-brush kind of satire.  Despite this, and despite having one or two sub-plots too many, Tenue correcte exigée still manages to be an effective - and occasionally hilarious - piece of film comedy.
© James Travers 2005
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

Richard Poulenc faces a nine month prison sentence for social security fraud unless he can obtain a signature from his former wife, Catherine, testifying that they have been separated for ten years.  Since their break up, Catherine has started a new life in America, becoming a high profile journalist.  When he learns that his ex-wife has returned to France for a conference, Richard tries to force his way into the Paris hotel where she is staying.  Catherine refuses to help Richard, because she has re-married, and her husband is an American governor who is running for the presidency.  Meanwhile, the owner of the hotel is forewarned of a visit from the tax inspector.  Anxious that his prostitution racket will be uncovered, the hotel manager throws his troupe of prostitutes out onto the street. One of these, Lucie, refuses to go without payment.  With Lucie's help, Richard manages to enter the hotel for a second time.  On this occasion, he is mistaken for the dreaded tax inspector and is given the V.I.P. treatment…
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Philippe Lioret
  • Script: Sandra Joxe, Jean-Louis Leconte, Philippe Lioret
  • Cinematographer: Gérard Simon
  • Music: Maurice Vander
  • Cast: Jacques Gamblin (Richard Poulenc), Zabou Breitman (Catherine Sperry), Elsa Zylberstein (Lucie), Jean Yanne (M. Brucker), Daniel Prévost (M. Bardon), Christian Sinniger (Maurice), Philippe Beglia (Don Sperry), Urbain Cancelier (Raoul Duchemin), Fabienne Chaudat (Rose Duchemin), Zinedine Soualem (Le chauffeur de taxi), Jean-François Perrier (Walter), Yves Afonso (Jacquot - un SDF), Philippe Cariou (Schwartzy), François-Régis Marchasson (Monsieur Cimic), Blandine Pélissier (Madame Cimic), Philippe Magnan (Le substitut du procureur), Jean-Paul Farré (L'avocat de Richard), Jacques Boudet (Le juge), Cécile Pallas (Véro), Guillaume Weyre (Le groom des Duchemin)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 93 min
  • Aka: Proper Attire Required

The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright