Film Review
Whilst perhaps not as daring and intense as it deserves to be,
Tel père telle fille is an
acceptable début feature from director Olivier De Plas.
The film is based on the novel
Teen
Spirit by Virginie Despentes, who is best known as the author of
the book
Baise-moi and
director of its highly controversial film adaptation.
Whilst De Plas's direction errs a little too often on the side of
caution and perhaps relies too much on cinematic cliché, he
succeeds in making a film that is thoughtful and engaging, thanks
largely to the support of his lead actors. Vincent Elbaz
convincingly portrays a man who is trapped in an extended adolescence,
from which an unexpected fatherhood offers the only hope of
escape. In her first film appearance, Daisy Broom shows great
promise with her realistic portrayal of a rebellious teenager
struggling to make sense of her life.
Tel père telle fille
effectively marries two familiar themes - that of midlife crisis and
teenage rebellion - but adds little to the plethora of films that have
explored these themes previously. In terms of style and content,
it is reminiscent of Olivier Assayas's early films, but without
that inspired touch and throat-ripping sense of anguish which can make
an audience sit up and take note. Has French cinema really
anything else to tell us about adolescent angst and the male menopause?
© James Travers 2008
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Film Synopsis
Bruno is a thirty-something musician who, having grown disillusioned with
his profession, decides to strike out in a different direction and become
a writer. He earns barely enough to support himself, so he is dependent
on his present partner Catherine as he apprentices himself to his new trade.
One day, an old girlfriend rings him up and imparts the earth-shattering
news that he is a father. Since Bruno hasn't seen this particular girlfriend
for over fourteen years the revelation comes as something of a shock.
Reluctantly, Bruno agrees to meet the daughter he has never met. She
is called Nancy and is now thirteen years old. The former musician
doesn't exactly warm to the idea of becoming a father, but as soon as he
meets his unexpected offspring he can't help developing a paternal interest
in her. Nancy appears to be even more rudderless and confused about
her life than Bruno is about his own, so her father's belated arrival into
her life is probably just what she needs at the moment. And the same
is probably true for Bruno...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.