Film Review
Audiences who had grown accustomed to the reassuringly predictable
style and content of Hammer's gothic horror films in the 1960s must
have been shaken when they saw
Taste
the Blood of Dracula in 1970. This is a film that took
the genre in a whole new direction, with far more explicit physical
violence and a much creepier visual style than what had gone before,
with less of the camp humour and clichéd silliness.
Director Peter Sasdy breathes life into a tired format and brings a
refreshing
auteur approach,
using the camera and lighting to create a chilling dreamlike feel
whilst injecting greater realism and emotion into the drama.
Sasdy would subsequently direct
Countess Dracula (1971),
another atypical film for Hammer, on account of its visceral horror
content and unsettling stylisation.
In this, his fifth appearance as Count Dracula, Christopher Lee gets
very little to do but is impressive in the few scenes in which he
appears. Lee has been dismissive of this film although it is,
arguably, the one in which he gives his best performance as the
sinister Count, sending a chill up the spine whenever he comes into
camera shot. Like the other great gothic horror monsters, Dracula
is more effective, more menacing if he is given fewer lines.
Lee's presence alone is enough to frighten an audience. As Lee showed
in the earlier
Dracula: Prince of Darkness
(1966), in which the actor refused to speak his lines because they were
so atrocious, words are superfluous. Interestingly, this is the
one film in which Dracula is presented as a morally decent
character, avenging the death of his loyal servant and punishing an
odious band of Victorian hypocrites. It just goes to show, there
is good in everyone.
The reason why Dracula appears so little in this film was the result of
a last-minute rewrite which arose from Warner Brothers' insistence that
Christopher Lee be in the film. At the time, the bosses at Hammer
had fallen out with Lee over his salary and had decided to replace him
with another actor, the virtually unknown Ralph Bates. Plans to
have Bates play the part of Dracula in this film were scuppered when
Warner Brothers threatened to withdraw their financial backing if Lee
was not given the role. So, the script was revised, Lee appears
briefly as Dracula, and Bates was demoted to a smaller role.
Hammer would later attempt to groom Ralph Bates as a replacement for
Peter Cushing, casting him as Baron Frankenstein in
The Horror of Frankenstein
(1970), again without success.
To see how unusual and how far ahead of its time this film was, you
have only to compare it with
Scars of Dracula, the other
Dracula film that Hammer released
in 1970. The latter has its fair share of visceral horror and
features another fine turn from Christopher Lee but it is much closer
to the house style that Hammer had developed in the previous decade
(albeit with an unfortunate smattering of
Carry On style humour).
Taste the Blood of Dracula is
superior in virtually every respect, a much darker, more atmospheric
film, that conveys more vividly the evil and power of the vampire than
perhaps any other Hammer horror film. Stylish, haunting and
truly thrilling, this ought to be considered the best of Hammer's
Dracula films.
© James Travers 2009
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Film Synopsis
Three seemingly upright Victorian gentlemen - William Hargood, Samuel
Paxton and Anthony Higgins - have formed a secret society, ostensibly
for the good of their fellow man. Every so often, they leave
their comfortable middleclass villas and set out for the seedy East End
of London, not to do charity work as they claim, but to amuse
themselves in brothels. On one of these pleasure excursions, they
are accosted by the mysterious Lord Courtley, who offers the three men
a sensual experience beyond their wildest imaginings, if they will only
join him in a satanic ritual. The three hedonists cannot resist
the bait and give Courtley the money he needs to buy some ancient
artefacts, which are in fact the last remains of the vampire Count
Dracula. At an abandoned chapel, the four men assemble to perform
their diabolical ritual. When his three new disciples refuse to
swallow the revitalised blood of Dracula, Courtley drinks it and
collapses. Horrified and disgusted, Hargood and his two friends
kick him to death and flee. Reanimated from Courtley's corpse,
Dracula is outraged at the death of his servant and swears that he will
take his revenge on the three men who killed him...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.