Six heures à perdre (1947)
Directed by Alex Joffé, Jean Lévitte

Comedy / Drama
aka: Six Hours to Lose

Film Review

Abstract picture representing Six heures a perdre (1947)
Is there such a thing as a film noir comedy?  If there is then Six heures à perdre certainly fits this description, an obvious precursor to the thriller parodies that Georges Lautner (and others) would direct in a later decade - Le Monocle noir (1961), Les Tontons flingueurs (1963), etc.  Alex Joffé would go on to direct many more memorable films than this, including Fortunat (1960) and Le Tracassin (1961), but for his debut feature he acquits himself admirably, assisted by a weirdly schizophrenic script and superb cast.  André Luguet makes a charismatic and intensely likeable lead as the unnamed victim of a lethal case of mistaken identify supported by such capable performers as Denise Grey, Paulette Dubost, Dany Robin and a magnificent Pierre Larquey.  The film's desperately bleak ending cannot fail to come as a surprise and powerfully evokes the dark mood of pessimism that hung after France in the bitter aftermath of WWII.  Watch out for Louis de Funès, on screen for a brief moment as a chaffeur in one of his very first film appearances.
© James Travers 2014
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

Breaking his long train journey in Paris, a traveller finds he has six hours at his disposal so he decides to wander around the city.  Imagine his surprise when he is accosted by perfect strangers and mistaken for the prominent diplomat, his Excellency Léopold de Witt.  Amused by this case of mistaken identity, the traveller decides to go on playing the part of the diplomat and soon finds himself luxuriating in de Witt's highly desirable official residence.  As he unwittingly creates pandemonium in the diplomat's household, the traveller is bothered by two sinister looking individuals who request that he hand over to them a vital envelope.  Of course the traveller has no idea who the strangers are, nor does he know what they want him to supply them with.  It is a mystery that tickles him.  Finally, having had his fun, the traveller goes on his way, not knowing that he is walking straight into an ambush.  He is about to become a very dead ringer...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Alex Joffé, Jean Lévitte
  • Script: Alex Joffé, Jean Lévitte
  • Cinematographer: Pierre Montazel
  • Music: Henri Dutilleux
  • Cast: André Luguet (Le voyageur), Denise Grey (Mme. de Witt), Pierre Larquey (Joseph), Paulette Dubost (Annette), Jacqueline Pierreux (Simone), Dany Robin (Rosy), Robert Seller (Le bourgmestre), François Joux (L'homme à l'enveloppe), Jean-Jacques Rouff (Un homme), Henri Vilbert (Le douanier), Albert Michel (Le porteur), Luce Fabiole (La voyageuse), Jean Richard (Le sergent de ville), Louis de Funès (Le chauffeur), Jean Gaven (Antoine), Jean-Jacques Delbo (Claude), Marguerite de Morlaye (La douairière), Maurice Derville (Petit rôle), André Dumas (Petit rôle), Robert Fretel (Petit rôle)
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 88 min
  • Aka: Six Hours to Lose

The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright