Sherlock Holmes Faces Death (1943)
Directed by Roy William Neill

Crime / Drama / Mystery / Thriller

Film Review

Abstract picture representing Sherlock Holmes Faces Death (1943)
After three epic adventures, in which England's most famous sleuth used his deductive powers to thwart various dastardly schemes by Nazi agents, Sherlock Holmes (in the guise of Basil Rathbone) returns to more familiar territory and tackles a mystery which is much closer in spirit to the ones conceived by his creator, Sir Arthur Conan Doyle.  Although the film was inspired by an original Conan Doyle story, it actually has more in common with an Agatha Christie murder mystery, with Holmes looking remarkably like a stand-in for Hercule Poirot.

There is a widely held view that the Sherlock Holmes films made by Universal Pictures were somewhat inferior to the two made by Twentieth Century-Fox in 1939 - The Hound of the Baskervilles and The Adventures of Sherlock HolmesSherlock Holmes Faces Death (along with one or two of the subsequent films in the series) challenges this assertion and, although made on a lower budget than the Fox films, has production values that are comparable, if not better.  Indeed, the stunning artistic design and photography are on a par with the better films noirs of the era, lending a darkly oppressive mood that makes this one of most atmospheric films in the series. 

The screenplay and performances are also pretty good, and Rathbone, as Holmes, shows no sign of tiring of the part that he made his own in the 1940s.  The only let down is some unnecessary silliness from messieurs Watson and Lestrade, whose only real function now appears to be to provide comic relief, in the best (or worst) tradition of vauderville.  Poor Holmes.  Not only does he have to solve mysteries and defeat cunning malefactors, but he also has to prevent his two associates from tripping over their own shoe laces.  Miss Marple never had this problem.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Next Roy William Neill film:
Sherlock Holmes and the Secret Weapon (1943)

Film Synopsis

During WWII, Musgrave Manor serves as a convalescent home for officers wounded in the war.  When one of his colleagues is attacked by an unknown assailant one evening, Dr Watson invites his friend Sherlock Holmes to the house to investigate.  Shortly after his arrival, Holmes discovers the dead body of the house's owner, Geoffrey Musgrave.  The man suspected of his murder is the fiancé of Musgrave's sister, Sally, but not long after he is arrested, Sally's other brother, Phillip is killed.   Holmes deduces that the murders are linked to an ancient ritual, in which a mysterious rhyme is recited after the death of each member of the household.   Holmes manages to crack the mystery and makes an incredible discovery.  It's a shame that he may not live to tell the tale...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Roy William Neill
  • Script: Bertram Millhauser, Arthur Conan Doyle (story)
  • Cinematographer: Charles Van Enger
  • Cast: Basil Rathbone (Sherlock Holmes), Nigel Bruce (Doctor Watson), Dennis Hoey (Inspector Lestrade), Arthur Margetson (Dr. Bob Sexton), Hillary Brooke (Sally Musgrave), Halliwell Hobbes (Alfred Brunton), Minna Phillips (Mrs. Howells aka Mrs. Brunton), Milburn Stone (Capt. Pat Vickery), Gavin Muir (Phillip Musgrave), Gerald Hamer (Maj. Langford), Vernon Downing (Lt. Clavering), Olaf Hytten (Capt. MacIntosh), Frederick Worlock (Geoffrey Musgrave), Mary Gordon (Mrs. Hudson), Martin Ashe (Slinking Figure), Joan Blair (Nora, Maid), Charles Coleman (Constable), Harold De Becker (Pub Proprietor), Peter Lawford (Young Sailor at Bar), Dick Rush (Constable)
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 68 min

The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright