School for Scoundrels (1960)
Directed by Robert Hamer, Hal E. Chester

Comedy

Film Review

Abstract picture representing School for Scoundrels (1960)
School for Scoundrels is a classic British film comedy which brings together three of the best-loved comic actors of the period: Ian Carmichael, Terry-Thomas and Alastair Sim.  It was based on Stephen Potter's popular upmanship books, which taught a generation of readers how to win without actually cheating (possibly explaining the sudden decline in moral standards in Britain in the 1950s).  Although Carmichael gets most of the screen-time and Sim is criminally underused, Terry-Thomas is a delight in the role for which he is best remembered, the deliciously villainous upper-crust cad. 

The ample supporting cast includes some notable British performers in small but beautifully formed cameo roles; these include including Irene Handl, John Le Mesurier, Hattie Jacques, Hugh Paddick, Peter Jones and Edward Chapman, all excellent.  The plodding and predictable narrative is enlivened by some memorable set-pieces, which include the hilarious tennis sequence in which Terry-Thomas (at his absolute best) is driven to exasperation by an even bigger bounder.

School for Scoundrels was the last film to be directed by Robert Hamer, one of the great and sadly underrated talents of British cinema.  It was Hamer who helmed the all-time classics It Always Rains on Sunday (1947) and Kind Hearts and Coronets (1949) and would doubtless have achieved even greater successes had he not been afflicted with personal crises that drove him to excessive drinking.  It was whilst making School for Scoundrels that Hamer hit the bottle and was sacked by his producer.  He would never make another film and died from pneumonia three years later, aged 52, a great loss to an industry that badly needed his talents.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Next Robert Hamer film:
San Demetrio London (1943)

Film Synopsis

Tired of being put down by others, mild-mannered and thoroughly decent Henry Palfrey decides to enrol at Mr Potter's School for Lifemanship.  Here, Henry learns how to turn every situation in life to his advantage, whether it be winning a game of tennis, dealing with his employees or luring the girl of his dreams away from the clutches of his rival.  When he graduates with flying colours, Henry wastes no time putting into practice everything that he has learned.  But he soon discovers that low cunning has its limitations...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Robert Hamer, Hal E. Chester, Cyril Frankel
  • Script: Stephen Potter (novel), Patricia Moyes, Hal E. Chester
  • Cinematographer: Erwin Hillier
  • Music: John Addison
  • Cast: Ian Carmichael (Henry Palfrey), Terry-Thomas (Raymond Delauney), Alastair Sim (Mr. S. Potter), Janette Scott (April Smith), Dennis Price (Dunstan), Peter Jones (Dudley), Edward Chapman (Gloatbridge), John Le Mesurier (Head Waiter), Irene Handl (Mrs. Stringer), Kynaston Reeves (General), Hattie Jacques (1st Instructress), Hugh Paddick (Instructor), Barbara Roscoe (2nd Instructress), Gerald Campion (Proudfoot), Monte Landis (Fleetsnod), Jeremy Lloyd (Dingle), Charles Lamb (Carpenter), Anita Sharp-Bolster (Maid)
  • Country: UK
  • Language: English
  • Support: Black and White
  • Runtime: 94 min

The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright