Film Synopsis
Murder is a serious business, as popular crime writer Judith Ralitzer discovers
as she struggles to pull together the fragmentary ideas for her next novel.
A killer on the run after escaping from prison - that's a good starting point.
It's a bit of a cliché, admittedly, so let's give the killer a quirky
identity. Let's call him: the Magician. As well as raping and
killing people, our central villain can also do conjuring tricks!
Now for the femme fatale. Let's call her Huguette. She's an independently
minded girl who works as a hairdresser in Paris. More clichés!
Let's try to make her more real by giving her a really dramatic intro.
She's dumped by the side of a busy road by her good-for-nothing fiancé.
She's in a terrible state - a
bona fide orphan of the storm.
But then her saviour enters the story. An ordinary looking Joe, he
appears from nowhere, like the mythical hero in a western, and offers
the distressed girl his assistance.
Huguette sees at once that she has a friend, so she asks him to do her a
small favour: will he agree to pass himself off as her future husband when
she next visits her parents? Intrigue
and human interest - what
more could the reader ask for? To make things more interesting, we
need a few extra subplots and secondary characters - just enough to pad things
out to the required word count and keep the publisher happy.
Let's throw in a family who are in a state of total disarray after one of
their number - we'll make him a professor - suddenly goes missing.
That makes three suspicious male characters - could they possibly be connected
in some way? Now that we have all the ingredients, all that's needed
is to flesh out the characters, pull the story strands together, chuck in
a few implausible plot twists and there we have it: Judith's next bestseller...
© James Travers
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