Film Review
Frank Sinatra's attempt to produce an MGM-style musical doesn't quite
make the grade but, with some catchy tunes provided by Jimmy Van Heusen
and Sammy Cahn, it is far from being a total disappointment.
Sinatra appears alongside his fellow Rat Pack buddies - Dean Martin and
Sammy Davis, Jr. - with Bing Crosby added to the line-up as a
last-minute replacement for Peter Lawford (who had just fallen out with
Sinatra over a presidential visit). Edward G. Robinson makes a
magnificent cameo appearance as a gangland boss (reprising the role
that first earned him stardom) and Peter Falk hams up his part for all
it is worth as Lieutenant Colombo's bad twin brother. The glamour
is provided by Barbara Rush, who is stunning in her authentic 1920s
gowns. No wonder the decade roared.
Robin and the 7 Hoods has two
killer weakness - a rambling plot and poorly choreographed song and
dance numbers. Gene Kelly was initially hired by Sinatra to
produce the film but pulled out at an early stage, much to the film's
detriment. Gordon Douglas's appointment as director presumably
had less to do with his experience in the musical genre and more to
do with the fact that he had once made a film about
the original Robin Hood -
Rogues of
Sherwood Forest (1950).
Douglas had previously worked with Sinatra (opposite Doris Day) in
Young at Heart (1954).
Although the film could certainly have benefited from Gene Kelly's
inspired touch, Sinatra and his chums salvage what might have been a
disaster with their sheer verve and enthusiasm, delivering a feel-good,
albeit slightly messy and morally dubious, gangster farce. The musical highlights are
My Kind of Town, superbly
performed by Sinatra, and
Style,
a toe-tapping show-stopper from the dazzling trio Sinatra, Martin and
Crosby. As time killers go, few are as enjoyable or as classy as
this one.
© James Travers 2010
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
Having put Chicago mob boss Big Jim Stevens out of the way, Guy
Gisborne elects himself his replacement and attempts a merger with all
the other gangs in the city. His rival Robbo has no intention of
forging an alliance with the ruthless Gisborne and inevitably their two
gangs go to war. Big Jim's daughter Marian then shows up on
Robbo's doorstep and offers him fifty thousand dollars if he will take
out the man who killed her father. Robbo refuses but when the
city sheriff mysteriously disappears (having been disposed of by
Gisborne), Marian mistakenly thinks he did her dirty work and sends him
the money she promised. In a fit of pique, Robbo tells his men to
give away this unwelcome windfall to the city's poor. In no time,
Robbo has earned the reputation of a latter day Robin Hood, thanks to
some free P.R. provided by orphanage secretary Alan A. Dale.
Robbo's new image proves to be good for business, and the city's rich
fall over themselves to line his pockets. The main casualty of
Robbo's success is Gisborne, who decides that it is high time the city
of Chicago knew the truth about their new folk hero...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.