Road to Rio (1947)
Directed by Norman Z. McLeod

Adventure / Comedy / Musical / Romance

Film Review

Abstract picture representing Road to Rio (1947)
The fifth entry in the popular Road to... series serves up the by now familiar concoction of wisecracks, farcical escapades and lightweight musical numbers draped over the flimsiest of plots.  Assisted by the ever lovely Dorothy Lamour, Bing Crosby and Bob Hope prove themselves the equal of any comedy double act of the time and show no sign of becoming bored with a highly successful formula.  True, some of the gags are milked to the point where you wonder if Bing and Bob are planning to open a national dairy, but most of the comedy routines hit their mark.

Road to Rio
's main attraction is Crosby's one and only musical number with the Andrews Sisters, a toe-tapping ditty titled You Don't Have To Know The Language.  Comedy support is provided by the Wiere Brothers, a talented trio from Germany who appeared in a number of films of this era, having toured Europe in the 1930s.  They provide the film with its funniest running gag ('You're telling me!', 'Get in the groove Jackson', 'This is murder') which, having been milked to death, has a brilliant pay-off.  Road to Rio may not be Bing and Bob's finest hour but it is an enjoyable romp and a more than adequate blues buster.
© James Travers 2012
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

In their attempt to find work and avoid girl trouble, musicians Scat Sweeney and Hot Lips Barton end up rambling all over the United States, before they finally hit lucky and secure gainful employment with a circus in Louisiana.  Scat has omitted to tell his buddy beforehand that he would be performing a high wire act, so things go exactly as you might expect.  With another disaster under their belts, the two musicians take flight and stow aboard a cruise ship bound for Rio de Janeiro.  Here, they meet up with Lucia, a wealthy heiress who is under the control of her wicked guardian, Catherine Vail.  By hypnotising Lucia, Vail intends to force her into marrying her brother.   Against their better judgement, Scat and Hot Lips decide to come to Lucia's help, by finding the papers that will invalidate the marriage.  Unfortunately, they haven't yet realised just how determined Ms Vail is to achieve her aims...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Norman Z. McLeod
  • Script: Edmund Beloin, Jack Rose, Barney Dean (dialogue)
  • Cinematographer: Ernest Laszlo
  • Music: Robert Emmett Dolan
  • Cast: Bing Crosby (Scat Sweeney), Bob Hope (Hot Lips Barton), Dorothy Lamour (Lucia Maria de Andrade), Gale Sondergaard (Catherine Vail), Frank Faylen (Trigger), Joseph Vitale (Tony), George Meeker (Sherman Mallory), Frank Puglia (Rodrigues), Nestor Paiva (Cardoso), Robert Barrat (Johnson), Stanley Andrews (Capt. Harmon), Harry Woods (Ship's Purser), The Wiere Brothers (Three Musicians), The Andrews Sisters (Themselves), Jerry Colonna (Himself), The Stone-Barton Puppeteers (Themselves), The Carioca Boys (Themselves), Dorothy Abbott (Show Girl), Rudolph Andrean (Specialty Dancer), Laverne Andrews (Herself)
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 100 min

The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright