Film Review
For his first feature, maverick filmmaker Benoît Forgeard offers
a compliation piece comprising his first three short films that is both
unsettlingly weird and irresistibly funny. The three films are
loosely linked by sequences in which Forgeard, looking scarily like
Super Mario's dandified older brother, meets up with the actors who
appear in them, giving us a bizarre insight into his creative process
as he does so. Drawing influence from a range of filmmakers, most
notably Luis Buñuel, whilst embracing the latest digital
technology like an alcoholic in a wine cellar, Forgeard takes us on the
wildest surreal mystery tour and delivers a blunt but stylish two-fingered
salute to commercial cinema.
The most obvious connection between the three short films is that they
all feature a young person who experiences a bizarre life-changing
event. In
La Course nue,
an actress is forced to run naked in a sports stadium to pay off her
telephone bill. In
Belle-Île-en-Mer,
a travelling salesman is unsure what to do with his life until he runs
into Alain Souchon (played by someone who bears not the slightest
resemblance to the famous singer).
L'Antivirus is about the
relationship between an over-attentive computer repairman and a student
whose years of painstaking research are threatened by a computer
virus. This summary hardly does justice to Forgeard's creative
flair, which shows itself in the ease with which he combines some
dazzlingly inventive visuals with a rare blend of poetry and
laugh-out-loud comedy.
Réussir
sa vie is definitely the oddest French film of 2012, an
off-kilter bungee jump into the sublime depths of a totally uninhibited
imagination.
© James Travers 2012
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Film Synopsis
An underground filmmaker is struggling to complete his latest film when
he is visited by the characters of his previous films. They take
him off into three flights of fancy, three adventures involving young
people who are prepared to do anything to make a fresh start in their
lives. The three stories appear to be pieces of a puzzle, but
what can it mean...?
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.