Recto / Verso (1999) Directed by Jean-Marc Longval
Comedy
Film Review
Like the majority of gay-themed films made in the 1990s, this wacky French comedy now
feels grotesquely caricatured and dated. It stars Smaïn, a little-known
actor who does little to engage the sympathy of his audience (his persona is that of a
yuppie from the 1980s) - and indeed there is hardly a likeable character in the entire
film, apart from Michel Muller's downtrodden Fernandel-like Joël. However,
whilst the storyline is a mess, there are some decent jokes, even if the comic situations
are by and large repetitive and a tad facile, relying far too heavily on the familiar
gay stereotypes.
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
Fred finds himself in financial difficulty when he loses his well-paid job
as a television presenter. His only hope of saving himself and his mother
from a life of poverty is to accept an offer of work from a popular gay shopping
channel. When it becomes apparent that his boss has romantic designs
on him, Fred has to resort to desperate measures to keep his job and safeguard
his masculinity. Fortunately, his cousin Joël has just turned up
in town and is sure to help him out in his hour of need. Fred's plan
is to persuade Joël to pass himself off as his boyfriend. It sounds
like a good idea at first, but things soon get out of hand as one misunderstanding
leads to another, massively complicating the love lives of everyone involved...
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.