Radio Days (1987)
Directed by Woody Allen

Comedy

Film Review

Abstract picture representing Radio Days (1987)
Woody Allen takes a rose-tinted walk down memory lane in this shameless nostalgia fest, in which he draws heavily on his own experiences of growing up in a poor district of New York.  Allen does not appear on screen but he narrates everything that happens, which is essentially a series of largely unconnected vignettes depicting his family life and the scurrilous exploits of radio celebrities and wannabes of the period.  Nowadays, it is hard to imagine how important radio was before television and the internet came along and made it virtually obsolete. In the 1930s and '40s, radio was not only the primary source of information for most households, it was also the main medium of mass entertainment, a veritable dream machine, the heart and soul of every home.

With his customary wit and wisdom, Woody Allen reminds us of the importance and magic of radio in its golden age, peppering his affectionately crafted anecdotes with uplifting songs and music of the era.  Whilst the film has immense charm and is occasionally hilarious, it doesn't quite gel into a coherent whole and lacks the punch of the other great films that Allen made around this time.  Radio Days is an affectionate tribute to an all but forgotten era in which the spoken word had supremacy over the moving image and people just seemed to get along a good deal better than they do these days (perhaps because the universality of radio helped to bring some measure of social cohesion).  The world that Allen conjures up is an alluring one, but is it really how things were or just a trick of the memory?  Nostalgia is how we choose to remember the past, not so that we can relive our lives but so that we may recast them as a cosy fantasy.  Allen's account of Depression Era America may be a fabrication, but it is comforting to see it portrayed in such a warm and humorous way (the highpoint being nationwide panic over an alien invasion engineered by a young Orson Welles).  Whatever challenges life throws at us, our dreams will always see us through, even if we can no longer rely on radio to brighten our days and gift-wrap all our memories.
© James Travers 2012
The above content is owned by filmsdefrance.com and must not be copied.
Next Woody Allen film:
September (1987)

Film Synopsis

Joe looks back with nostalgia to his days as a pre-adolescent living with his parents in the Rockaway district of the Queens area of New York City.  It is the mid-1930s and the radio holds an important place in the lives of Joe and his family.  Whilst Joe's Aunt Bea is frantically searching for a man to spend the rest of her life with (to be cruelly disappointed every time she finds a promising candidate), Joe experiences his first adult awakening, when his new teacher turns out to be a woman he saw posing naked through an open window.  As the poor folk of Queens try to make the best of their humdrum lives, a cigarette girl named Sally White is out to make a name for herself in the better off part of the city.  Despite her evident lack of talent and appalling New York accent, Sally is determined to make her fortune as a radio star, but her big break is thwarted when those inconsiderate Japs decide to bomb Pearl Harbour.  Ah, happy days...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Woody Allen
  • Script: Woody Allen
  • Cinematographer: Carlo Di Palma
  • Cast: Mike Starr (Burglar), Paul Herman (Burglar), Don Pardo ('Guess That Tune' Host), Martin Rosenblatt (Mr. Needleman), Helen Miller (Mrs. Needleman), Danielle Ferland (Child Star), Julie Kavner (Mother), Julie Kurnitz (Irene), David Warrilow (Roger), Wallace Shawn (Masked Avenger), Mick Murray (Avenger Crook), William Flanagan (Avenger Announcer), Seth Green (Joe), Michael Tucker (Father), Josh Mostel (Abe), Renée Lippin (Ceil), William Magerman (Grandpa), Leah Carrey (Grandma), Joy Newman (Ruthie), Hy Anzell (Mr. Waldbaum)
  • Country: USA
  • Language: English
  • Support: Color
  • Runtime: 88 min

The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright