Promotion canapé (1990)
Directed by Didier Kaminka

Comedy

Film Review

Abstract picture representing Promotion canape (1990)
Although he is better known as a screenwriter (mostly on several of Claude Zidi's films including Banzaï (1983) and Les Ripoux (1984)) Didier Kaminka also directed a handful of films, of which Promotion canapé was one of his most successful at the box office. The film attracted an audience of just over one million in France, and its prestigious cast may have had something to do with this. One-time comedy superstar Pierre Richard, pop star Eddy Mitchell and news anchorman Patrick Poivre d'Arvor make gratuitous cameo appearances, a worrying sign perhaps of the director's lack of confidence in his lead performers Margot Abascal and Grace de Capitani. The film starts out from the premise of a tatty old cliché, namely that the quickest way to success is to sleep with the boss, but fails to make much of it, the result being something of a tedious farce that struggles to keep going. The plethora of acting talent (the female leads are soon out-shone by more seasoned performers Thierry Lhermitte, Patrick Chesnais and Claude Rich) helps to disguise the vacuity of the plot but Kaminka's bland direction and a paucity of original gags ultimately take their toll. Any film that tries to make light of sexual harassment in the work place to grab a few cheap laughs has its work cut out - and this one just shows what a dubious activity this is.
© James Travers 2004
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

Catherine and Françoise, two young women from the provinces, can hardly wait to begin their exciting new life in the big city.  They have both found jobs with the Paris Postal Service and are eager to make a good impression.  But no sooner have they started work than they realise they are fated to be the victims of male chauvinism.  All of their male-workers obviously consider themselves superior to them and regard all women as inadequate, mere sex objects for their amusement.  Realising there is not much she can do about this, Catherine decides to turn it to her advantage, allowing her superiors to sleep with her so that she can gain a swift and easy promotion.

Françoise is at first unwilling to resort to the same underhand tactics to get on, especially since she has met someone who is exactly the kind of man she would like to spend the rest of her life with.  But when her new beau proves to be unfaithful to her, Françoise has a sudden change of heart and decides to follow her friend's scurrilous example.  It's amazing how far and how fast your career can progress, if you're prepared to sleep around a little.  Before she knows it, Françoise has left Catherine trailing way behind her...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Didier Kaminka
  • Script: Didier Kaminka, Claude Zidi (story)
  • Cinematographer: Claude Agostini
  • Music: Louis Chedid
  • Cast: Grace De Capitani (Catherine), Thierry Lhermitte (le ministre), Michel Sardou (Bernard), Claude Rich (Ivan), Patrick Chesnais (André), Zabou Breitman (Carole), Jean-Pierre Castaldi (Pierre), Margot Abascal (Françoise), Rufus (Inspecteur Justice 1), Martin Lamotte (Marcel, le formateur), Romain Bouteille (L'homme du Printemps), Catherine Alric (Marie-Claire), Nicole Jamet (Hélène), Pierre Richard (l'informateur), Eddy Mitchell (Le délégué de la cgt), Daniel Gélin (Le responsable des Inspecteurs Justice), Patrick Poivre d'Arvor (Himself), Josiane Lévêque (La femme de F.O.), Michel Crémadès (Jean-Paul), Patrice Melennec (L'animateur foyer)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 92 min

The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright