Promised Land (2004)
Directed by Amos Gitai

Drama / Thriller

Film Synopsis

One moonlit night in the Sinai desert, a group of men and women warm themselves around a camp fire.  The women are from Eastern Europe, the men are Bedouins.  The next day, they will cross the border and the women will be sold into slavery, the victims of an international white slavery ring...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Amos Gitai
  • Script: Amos Gitai, Marie-Jose Sanselme
  • Cinematographer: Caroline Champetier
  • Music: Simon Stockhausen
  • Cast: Rosamund Pike (Rose), Diana Bespechni (Diana), Hanna Schygulla (Hanna), Anne Parillaud (Anne), Alla An (Alla), Kristina Likhnyski (Kristina), Katya Drabkin (Katya), Yussuf Abu-Warda (Yussuf), Amos Lavi (Hezi), Shalva Ben-Moshe (Igor), Craig Bachins (Greg), Meital Peretz (Meital), Menachem Lang (Menahem), Ran Kauchinsky (Rani), Peeter Polluveer (Peeter), Yelena Maunchenko (Yelena), Sacha Zov (Sacha), Kadri Kõusaar, Ingrid Bakho, Olga Shapira
  • Country: Israel / France
  • Language: Arabic / Hebrew / Russian / English / German
  • Support: Color
  • Runtime: 88 min

The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The greatest French Films of all time
sb-img-4
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright