Pouic-Pouic (1963)
Directed by Jean Girault

Comedy

Film Review

Abstract picture representing Pouic-Pouic (1963)
Having made over a hundred film appearances in nearly twenty years, the comic actor Louis de Funès finally achieved top billing in Pouic-Pouic, the film that turned him into an overnight comic sensation.  Throughout the following two decades he would become the most popular comedian in France, a charismatic cult figure whose popularity would endure long after his death in 1983.

Pouic-Pouic is a typical burlesque comedy, (rather obviously) adapted from a stage play.  De Funès plays an irascible bourgeois middle-aged man who is infinitely more interested in money and status than personal relationships - one of the characters he would perfect over the rest of his career in numerous films.  Far from being a simple caricature, de Funès' portrayal of such odious characters is intensely complex and well developed, showing the actor's remarkable talent for observation and imitation, to say nothing of his obsessive perfectionism.  De Funès was as much a first rate character actor as he was a natural born comedian, and this is what brings the essential quality of truth to his performances.

Pouic-Pouic mark the first episode in a long and fruitful collaboration between de Funès and director Jean Girault. The two men would work together on a further 11 films, including the hugely popular Gendarme series.  Working magnificently alongside de Funès in this film is the redoubtable Jacqueline Maillan, another highly regarded comic performer with a larger-than-life personality, playing the first (and arguably the best) of de Funès' on-screen wives.  The film also features the stunningly beautiful Mireille Darc in one of her first major film roles.

Whilst the film suffers a little from some uninspired direction and a few predictable plot developments, the quality of the comic performances make it an entertaining piece of farce, in the best tradition of French burlesque comedy.   The jokes - both visual and spoken - fall thick and fast and it is often a challenge to keep up with all of the film's twists and turns.  Whilst the plot is torturously complex, it is all good fun, and it is little wonder that the film proved to be a popular success on its release in 1963.
© James Travers 2007
The above content is owned by filmsdefrance.com and must not be copied.
Next Jean Girault film:
Faites sauter la banque! (1964)

Film Synopsis

Léonard Monestier is a canny businessman who owes his success to his unerring ability to spot a sound investment.  His wife Cynthia, alas, has no such talent and seems determined to bankrupt them both by splashing out on dodgy shares.  Why couldn't Cynthia stick to her other, less financially damaging, interests in life, such as tending to her pet bird Pouic-Pouic?  Convinced that his wife's investment in a South American oil concession is sheer folly, Monestier decides he has to offload it onto someone else - but who?  He has the perfect victim in Antoine Brévin, a man who is both gullible and rich - and he has hopes of marrying Monestier's daughter, Patricia.

Unfortunately, Patricia has a mind of her own and no part of it is inclined to even consider marrying Antoine.  So determined is she to drive away her unwanted 40-something suitor that she resorts to hiring a delivery man, Simon Guilbaud, to pass himself off as her husband.  Monestier is naturally unaware of this development and invites the unwitting Antoine to his house so that he can sell him the troublesome shares.  Fearing that the millionaire will see through his scheme, Monestier coerces Simon into posing as his son Paul, who is away in South America at the moment.  Things are looking good for the unscrupulous businessman - until his son shows up unexpectedly, in the company of a gorgeous South American girl named Palma.  If Monestier is to succeed, he must resort to increasingly desperate measures to rid himself of his wife's dodgy investment...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Jean Girault
  • Script: Jean Girault, Jacques Vilfrid
  • Cinematographer: Marc Fossard
  • Music: Jean-Michel Defaye
  • Cast: Louis de Funès (Léonard Monestier), Mireille Darc (Patricia), Roger Dumas (Paul), Jacqueline Maillan (Cynthia Monestier), Christian Marin (Charles), Philippe Nicaud (Simon Guilbaud), Guy Tréjan (Antoine Brevin), Daniel Ceccaldi (Castelli), Maria-Rosa Rodriguez (Palma Diamantino), Yves Barsacq (Mario), Philippe Dumat (Monsieur Morrison (scène de la Bourse))
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 90 min

The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The greatest French Films of all time
sb-img-4
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright