Film Review
The sixth of the Bond films is the most romantic and sophisticated in
the entire series but it is also one of the most divisive. From
the day of its first release, the film has been praised in some
quarters and pilloried in others, with equal zeal.
On Her Majesty's Secret Service
certainly had the potential to be the best of the Bond movies.
The screenplay is superbly written, eschewing cheap gimmickry for
proper character development; the action sequences are very well
realised, exciting and yet entirely realistic, avoiding the superhuman
excesses that would become
de rigueur
in the later Bond films. Telly Savalas makes a perfect Blofeld, a
far more believable villain than the monstrosity portrayed by Donald
Pleasence in the preceding film. Ex-
Avenger Diana Rigg is stunning as
the female lead, the only Bond Girl in the entire series who looks like
a real person instead of a vague male fantasy. What is there not
to like about this film? Oh, yes, the lead actor...
When Sean Connery gave up the role of 007 to spend more time with his
Swiss bank account and less time in the glare of the media, producers
Albert R. Broccoli and Harry Saltzman clearly didn't have much of a
clue whom to replace him with. Timothy Dalton was Broccoli's
preference but Dalton, wisely, considered himself too young for the
part and turned it down. Saltzman wanted Roger Moore, but this
actor was still under contract to work on the TV series
The Saint. Various other
actors were considered, including Jeremy Brett (now known as the
definitive TV Sherlock Holmes) and John Richardson. In the end,
the part was given to an unknown Australian model named George Lazenby,
whose only previous acting experience was in TV commercials.
Lazenby's lack of acting experience proved to be a great handicap and
is the one thing (perhaps the only thing) that dents the appeal of
On Her Majesty's Secret Service.
And yet Lazenby looks absolutely right for the part and does a great
deal to extend the character beyond the limited confines of the
previous Bond films. His Bond is much less self-assured and smug
than Connery's and in some sequences he appears genuinely out of his
depth. Action sequences are far more suspenseful and exciting if
the hero himself doubts whether he will succeed, if he can convey
genuine fear - Lazenby does just that and probably gives a much more
convincing and rounded portrayal of Ian Fleming's famous creation than
Connery did or, for that matter, any of his successors. The only
thing that counts against Lazenby is his lack of confidence, which has
been mistaken for lack of charisma and ability. You only have to
watch the actor in the final, devastatingly poignant scene, to realise
what a great Bond George Lazenby could have been if his agent hadn't
persuaded him to give up the role after just one film.
© James Travers 2009
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Film Synopsis
James Bond is in Europe, pursuing Ernst Blofeld, the infamous head of
the crime syndicate SPECTRE, when he becomes distracted by another kind
of prey, the beautiful Contessa Teresa di Vicenzo, known as Tracy to
her friends. Tracy's father is Marc-Ange Draco, the head of
Europe's largest crime consortium. Draco is concerned over his
daughter's self-destructive tendencies and offers Bond one million
pounds if he will marry her. Whilst pursuing a whirlwind romance
with Tracy, Bond continues his investigation into Blofeld's whereabouts
and soon discovers that the arch-criminal is masquerading as an
aristocrat, the Comte Balthazar de Bleuchamp. To prove that
the title is legitimately his, Blofeld engages the services of the
genealogist Sir Hilary Bray. Posing as Bray, Bond meets Blofeld
at a research clinic he has established high up in the Swiss
Alps. Ostensibly, the clinic exists to treat young women with
cripppling allergies, but Bond discovers a much darker purpose.
On their return to their own countries, the women will release a
bacteriological agent that will render several species of animal and
plant sterile, unless the governments of the world accede to Blofeld's
request for an unconditional pardon for his past crimes...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.