Olmo and the Seagull (2015)
Directed by Petra Costa, Lea Glob

Documentary / Drama / Family / Romance

Film Synopsis

Olivia and Serge are a couple who are as devoted to each other as they are to the stage.  At present, they are rehearsing a production of Chekhov's The Seagull, in which Olivia plays the part of Arkadina, an actress in her declining years.  When Olivia discovers she is pregnant she is more anxious than happy.  Not only does this threaten her career, but her relationship with Serge will be put under strain.  As the unborn child grows insider her, Olivia feels she is changing psychologically as well as physically.  Significantly, she senses she is gaining a deeper understanding of Arkadina, and also the other actress in the play, Nina, the ingénue who is drawn towards insanity.  Over the ensuing months, Olivia finds it harder to separate her own life from the life of the character she is playing on stage...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Petra Costa, Lea Glob
  • Script: David Barker, Moara Passoni, Martha Kiss Perrone, Marie Regan, Franz Rodenkirchen, Petra Costa (story), Lea Glob (story)
  • Photo: Muhammad Hamdy
  • Cast: Olivia Corsini (Herself), Serge Nicolai (Himself), Pancho Garcia Aguirre, Shaghayegh Beheshti, Elena Bellei, Sébastien Brottet-Michel, Célia Catalifo, Marie Constant, Christian Dibie, Philippe Duquesne, Barbara Gassier, Camille Grandville, Martial Jacques, Sylvain Jailloux, Marjolaine Larrañaga-Avila, Lisa Mercury, Elaine Méric, Martha Kiss Perrone, Giovanna Pezzullo, Claudio Ponzana
  • Country: Denmark / Brazil / France / Portugal / Sweden
  • Language: French / Spanish / Italian / English
  • Support: Color
  • Runtime: 82 min

The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright