Olmo and the Seagull (2015) Directed by Petra Costa, Lea Glob
Documentary / Drama / Family / Romance
Film Synopsis
Olivia and Serge are a couple who are as devoted to each other as they are
to the stage. At present, they are rehearsing a production of Chekhov's
The Seagull, in which Olivia plays the part of Arkadina, an actress in her
declining years. When Olivia discovers she is pregnant she is more
anxious than happy. Not only does this threaten her career, but her
relationship with Serge will be put under strain. As the unborn child
grows insider her, Olivia feels she is changing psychologically as well as
physically. Significantly, she senses she is gaining a deeper understanding
of Arkadina, and also the other actress in the play, Nina, the ingénue
who is drawn towards insanity. Over the ensuing months, Olivia finds
it harder to separate her own life from the life of the character she is
playing on stage...
Script: David Barker,
Moara Passoni,
Martha Kiss Perrone,
Marie Regan,
Franz Rodenkirchen,
Petra Costa (story),
Lea Glob (story)
Photo: Muhammad Hamdy
Cast: Olivia Corsini (Herself),
Serge Nicolai (Himself),
Pancho Garcia Aguirre,
Shaghayegh Beheshti,
Elena Bellei,
Sébastien Brottet-Michel,
Célia Catalifo,
Marie Constant,
Christian Dibie,
Philippe Duquesne,
Barbara Gassier,
Camille Grandville,
Martial Jacques,
Sylvain Jailloux,
Marjolaine Larrañaga-Avila,
Lisa Mercury,
Elaine Méric,
Martha Kiss Perrone,
Giovanna Pezzullo,
Claudio Ponzana
Country: Denmark / Brazil / France / Portugal / Sweden
Language: French / Spanish / Italian / English
Support: Color
Runtime: 82 min
The very best sci-fi movies
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.