Nosferatu: Phantom der Nacht (1979)
Directed by Werner Herzog

Drama / Horror / Thriller
aka: Nosferatu the Vampyre

Film Review

Abstract picture representing Nosferatu: Phantom der Nacht (1979)
Inspired by  F.W. Murnau's 1922 masterpiece Nosferatu: Eine Symphonie der Grauens, acclaimed German director Werner Herzog made this unusual re-telling of the Dracula story with the aim of creating a nightmare from which the viewer is unable to awake.  His film distinguishes itself from the plethora of film adaptations of the Dracula story and yet fails to be entirely satisfying.

Herzog's most significant innovation is to present the vampiric fiend Dracula as a victim, not a wicked monster, a creature we should pity as much as fear.  To that end, Herzog is supported by a magnificent performance from celebrated German actor Klaus Kinski.  Although he is scarcely recognisable beneath the make-up, Kinski manages to evoke a powerful sense of pathos, whilst simultaneously terrifying us.   The film stands on Kinski's performance alone.

Apart from Herzog's brilliant relisation of the Dracula character, the film fails on virtually every other count (no pun intended).  The film's opening, where Harker treks innocently across the Transylvanian countryside, is dull and needlessly protracted.  After Harker's initial meeting with the Count, the film appears to lose momentum and thereafter fails to engage the viewers' attention.

© James Travers 2000
The above content is owned by filmsdefrance.com and must not be copied.
Next Werner Herzog film:
Fitzcarraldo (1982)

Film Synopsis

Lured by the prospect of a substantial commission, real estate merchant Jonathan Harker sets out for Transylvania, to sell a house to the mysterious Count Dracula.  Arriving at the Count's run-down castle after nightfall, Harker is greeted by Dracula, a pale ghoul-like creature with a strange appetite for blood.  Having seen a picture of Harker's wife, Lucy, the Count secures Harker in the castle and hastens to Harker's hometown in Holland in a coffin.  Realising that his wife is in danger, Harker makes a desperate attempt to reach his home before the Count.  He is too late.  When he arrives, his hometown is overrun by rats, thousands are dying from the plague, and he is a changed man.  Lucy realises there is only one way to banish this terrible evil...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Werner Herzog
  • Script: Werner Herzog, Bram Stoker (novel)
  • Cinematographer: Jörg Schmidt-Reitwein
  • Music: Popol Vuh
  • Cast: Klaus Kinski (Count Dracula), Isabelle Adjani (Lucy Harker), Bruno Ganz (Jonathan Harker), Roland Topor (Renfield), Walter Ladengast (Dr. Van Helsing), Dan van Husen (Warden), Jan Groth (Harbormaster), Carsten Bodinus (Schrader), Martje Grohmann (Mina), Rijk de Gooyer (Town official), Clemens Scheitz (Clerk), Lo van Hensbergen (Harbormaster's Assistent), John Leddy (Coachman), Margiet van Hartingsveld (Vrouw), Tim Beekman (Coffinbearer), Jacques Dufilho (Captain), Michael Edols (Lord of the manor), Werner Herzog (Hand and Feet in Box with Rats), Beverly Walker (Nun), Attila Árpa (Violinist Boy)
  • Country: West Germany / France
  • Language: English / German / Romany
  • Support: Color
  • Runtime: 107 min
  • Aka: Nosferatu the Vampyre ; Nosferatu: Phantom of the Night

The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright