Nos enfants chéris (2003) Directed by Benoît Cohen
Comedy / Drama
aka: Our Precious Children
Film Review
With more than a touch of the great film auteur Eric Rohmer in both its writing and its
presentation, Nos enfants chéris is a skilfully crafted moral tale which
is every bit as entertaining as it is insightful. This beautifully photographed
light comedy is witty, engaging and uplifting, yet it also has a sombre side, allowing
us to reflect on the sad reality about the transience of love and the constantly evolving
nature of human relationships.
Although the film has a plethora of characters and, consequently, many subplots, its director
(Benoît Cohen) manages to keep the narrative focused on its central theme (the rekindling
of Martin and Constance's former passion) whilst allowing the secondary characters to
each make a meaningful contribution. The dilemma posed by the film - whether a mature
adult should reject his or her parental and marital responsibilities in the name of romantic
love elsewhere - is delicately handled, in a way which most of us can easily sympathise
with.
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Film Synopsis
One day, two ex-lovers, Martin and Constance, run into each other in a supermarket.
After several years apart, they find they are now in their early thirties, are married
and are just discovering the joys of parenthood. Martin casually invites Constance
to join him and his wife at their second home during the summer. He is surprised
when Constance takes up the offer and arrives with her two young children and macho sports-obsessed
husband. The presence of other houseguests complicates matters further and the holiday
soon loses its charm. In the end, Martin finds he has to choose between the life
he now has, with its security and adult responsibility, and the possibility of a fresh
start with his former love, Constance.
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.