Murder on a Honeymoon (1935) Directed by Lloyd Corrigan
Comedy / Crime / Mystery
Film Review
Edna May Oliver bows out in magnificent style in this, her third and
final outing as amateur sleuth Hildegarde Withers. After Penguin Pool Murder (1932) and Murder on the Blackboard (1934),
the indomitable Miss Withers is faced with her most complex case yet
(with no shortage of plausible suspects, but alas no cute
penguins). With the spry old spinster having to suffer such
ignominies as being labelled "horse face" and locked in a cupboard you
can see why Miss Oliver gave up the part. Miss Marple and Hercule
Poirot never got this sort of abuse.
As in the previous two Hildegarde Withers films, the fun lies not in
the murder mystery plot (which, this time, is so fiendishly convoluted
that it's hardly worth trying to unravel it) but in the abrasive
repartee between Miss Withers and the bungling police chief Oscar Piper
(James Gleason). By this stage in their career, the two
characters have managed to tone down the mutual Mickey taking and a grudging
tenderness is starting to creep into their relationship - another
reason why Miss Oliver may have felt it was time to move on. The
series was by now so popular that it had to continue. RKO drafted
in Helen Broderick and later ZaSu Pitts to take on the role of Miss
Withers - needless-to-say, neither came anywhere near to matching the
excellence and hilarity of Edna May Oliver's portrayal.
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Film Synopsis
Schoolteacher Hildegarde Withers is taking a short flight to Catalina
Island when she witnesses a fellow air passenger suddenly drop
dead. Moments before his death, the man introduced himself as
Roswell T. Forrest, and Miss Withers is convinced he was murdered by
someone else on the plane. The suspects include a pair of newly
weds, a film director, a struggling actress and a former rum smuggler,
none of whom has any obvious connection with the dead man. With
the local police refusing to take her seriously, Miss Withers calls in
her old friend, Inspector Oscar Piper, who reveals that Forrest was due
to testify in court against a notorious crime syndicate. Now that
the motive for the murder has been established, all that remains is to
determine who did it. An autopsy reveals that Forrest was
poisoned - but by whom?
Script: Seton I. Miller, Robert Benchley, Stuart Palmer (novel)
Music: Alberto Colombo
Cast: Edna May Oliver (Hildegarde Withers),
James Gleason (Inspector Oscar Piper),
Lola Lane (Phyllis La Font),
George Meeker (Tom Kelsey, alias Roswell T. Forrest),
Dorothy Libaire (Kay Deving),
Harry Ellerbe (Marvin Deving),
Chick Chandler (Dick French),
Willie Best (Willie),
Leo G. Carroll (Joseph B. Tate),
DeWitt Jennings (Captain Beegle),
Spencer Charters (Chief Of Police Britt),
Arthur Hoyt (Dr. O'Rourke),
Matt McHugh (Madden),
Morgan Wallace (McArthur aka Arthur Mack),
Brooks Benedict (Roswell T. Forrest),
Harry Allen (Hotel Gardener),
Irving Bacon (Man With Pelican),
James P. Burtis (Deputy),
Lynne Carver (Actress Holding Parrot),
Billy Dooley (Porter When Seaplane Lands)
Country: USA
Language: English
Support: Black and White
Runtime: 74 min
The history of French cinema
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.