Moonrise (1948)
Directed by Frank Borzage

Crime / Drama / Romance
aka: Frank Borzage's Moonrise

Film Review

Abstract picture representing Moonrise (1948)
Whilst it has some touches of brilliance, Moonrise is overall something of a disappointment.  An unsatisfying mix of film noir crime drama and romantic melodrama, it falls somewhat short of the level of excellence seen in much of Frank Borzage's other work.  The fault lies not in Borzage's direction nor in the performances which are (on the whole) admirable, but in the creaking screenplay which lacks focus and conviction.

The film is perhaps best remembered for its haunting opening sequence in which a man is led to the gallows, shot in silhouette in the manner of an early silent expressionist film.  Equally impressive is the effective point-of-view shot where Danny falls to the ground from a Ferris wheel.   Such flourishes of artistic inspiration and originality are laudable but their impact is sadly diminished by the film's failings - the plodding plot, lacklustre characterisation and an ending that is too sentimental for its own good.
© James Travers 2008
The above content is owned by filmsdefrance.com and must not be copied.
Next Frank Borzage film:
Lazybones (1925)

Film Synopsis

In a small town in Virginia, a man is sent to the gallows for murder and his son, Danny, is thereafter endlessly tormented by his classmates.  As a young man, Danny is still taunted by Jerry, his rival for the girl he has fallen in love with, Gilly.  At a dance one evening, Jerry provokes Danny and in the ensuing brawl Danny kills Jerry.  Afterwards, Danny discovers that Gilly loves him and is ready to start a life with him, but this is small consolation.  He has killed a man and, like his father, he must pay the price...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Frank Borzage
  • Script: Charles F. Haas, Theodore Strauss (novel)
  • Cinematographer: John L. Russell
  • Music: William Lava
  • Cast: Dane Clark (Danny Hawkins), Gail Russell (Gilly Johnson), Ethel Barrymore (Grandma), Allyn Joslyn (Sheriff Clem Otis), Rex Ingram (Mose), Harry Morgan (Billy Scripture), David Street (Ken Williams), Selena Royle (Aunt Jessie), Harry Carey Jr. (Jimmy Biff), Irving Bacon (Judd Jenkins), Lloyd Bridges (Jerry Sykes), Houseley Stevenson (Uncle Joe Jingle), Phil Brown (Elmer - Soda Jerk), Harry Cheshire (J.B. Sykes), Lila Leeds (Julie), Virginia Mullen (Miss Simpkins), Oliver Blake (Ed Conlon), Tom Fadden (Homer Blackstone), Charles Lane (Mr. Chandler), Clem Bevans (Jake - Coroner)
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 90 min
  • Aka: Frank Borzage's Moonrise

French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright