Film Review
Michel Simon is perfectly cast as a self-effacing taxi driver in this
engaging little comedy-drama, which provides a convincing portrait of
working class family life in France a few years after WWII.
Although a little dated, the films offers a few memorable sequences,
such as the one where Michel Simon is debating with his (remarkably
well-trained) dog what to do with the money he has found in his taxi -
Simon and dog make a terrific double act, making most of the rest of
the cast superfluous. The film was directed by André
Hunebelle, one of the most successful mainstream French filmmakers of the 1950s
and '60s, best remembered for his
Fantômas trilogy of
films, which starred Louis de Funès and Jean Marais. Louis
de Funès makes a very small appearance in
Monsieur Taxi, as an irascible street artist,
one of his many, many small roles before he became a major star in the
mid-1960s.
© James Travers 2008
The above content is owned by filmsdefrance.com and must not be copied.
Next André Hunebelle film:
Les Trois mousquetaires (1953)
Film Synopsis
Pierre Verger is happy in his job as a Paris taxi driver. He may not
be rich, he may not be famous, but he enjoys his work and has an adoring
wife, Hélène. His only concern is that his two children
Georges and Jacqueline have grown up too fast and are about to leave the
family nest, for better or for worse. Jacqueline is engaged to François,
a florist who fancies himself as an artist. Georges, a journalist,
cannot bring himself to tell his parents that he has fallen in love with
a dancer named Lily. At the end of a day's work, Pierre is surprised
to find a handbag stuffed with banknotes in his car. It was obviously
left behind by one of his customers, but which one? After deciding
that he cannot keep the money for himself, Pierre sets out to find the bag's
rightful owner by visiting each of the day's fares in turn. The first
candidate happens to be George's friend Lily, who had taken the taxi to find
out how Pierre feels about women of her profession. Neither Lily nor
the next customer, a high-class prostitute, apparently has any claim to the
mysterious handbag, so by a process of elimination the only person it could
belong to is an Italian woman who is wanted for robbery...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.