Film Review
Here's a film which typifies the stultifying painting-by-numbers trend
in cinema in recent years which seems to be becoming endemic and which
is slowly killing the art of filmmaking. Here's the formula.
Start with a big, audience-pulling concept. Knock out a formulaic
screenplay that will offend no-one. Get as many big name actors
on board as you can afford. Throw lots of money on set and
costume design. Set up the camera and roll. Sit back and
count the money. Hollywood has been here for some time. Now
it seems that French cinema is going down the same path.
The concept for
Molière
is blatantly obvious: a Gallic re-interpretation of John Madden's 1998
film
Shakespeare in Love.
You take France's most famous playwright, look for an unrecorded break
in his life, and reverse-engineer a history for him based on his
plays. The folly of this becomes apparent if you imagine applying
the same recipe to other writers, such as J.R.R. Tolkien or Stephen King. The
assumption being made is that a
writer has to live an experience in order to write about it. So,
to have written
Le Bourgeois
gentilhomme,
L'Avare
and
Tartuffe, Molière
must have first seen these stories enacted in real life - which, to be
perfectly frank, is bonkers and shows no understanding of the
creative process.
Even if we overlook the absurdity of the film's premise,
Molière is still a mediocre
film. In some areas it excels - the sets and costumes are
impressive and some scenes are shot with a great deal of flair and
imagination. There are some good jokes and generally the
performances are enjoyable - particularly the interplay between Romain
Duris and Fabrice Luchini. Unfortunately, there's no great depth
to this film, no real emotional impact. Whilst the film certainly
isn't dull, neither does it leave a lasting impression. You can
have some fun looking out for all the references to Molière's
plays, but overall the film is a disappointment.
© James Travers 2008
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Next Laurent Tirard film:
Le Petit Nicolas (2009)
Film Synopsis
In 1644, a twenty-two year old actor named Molière dreams of
becoming a great writer of tragic plays. Unfortunately, he lacks
inspiration and everyone seems to prefer his comedies. Crippled
by debts, he soon finds himself in prison. He is released by the
wealthy Monsieur Jourdain, who smuggles him into his house, in the
guise of a priest, so that he can teach him the dramatic art.
Jourdain's hope is that he can write a play which will allow him to win
the heart (and bed) of the beautiful
Célimène. Unfortunately, Jourdain has no
talent whatsoever and he even fails to notice his wife succumbing to
Molière's amorous charms...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.