Marie-Antoinette reine de France (1956) Directed by Jean Delannoy
Drama / History
aka: Shadow of the Guillotine
Film Synopsis
In 1774, King Louis XV is a dying man. His illness in compounded
by fears over his son's ability to govern France after his death.
In particular, he is anxious about his consort, Marie-Antoinette, who
has so far failed to produce an heir and is known to attend balls in
her husband's absence. At one of these balls, Marie-Antoinette
makes a strong impression on a Swedish officer, Axel de Fersen,
something that will later fuel rumours against her. When Louis XV
dies, his son is crowned Louis XVI and it isn't long before public
sentiment turns against the new king. Marie-Antoinette is seen to
spend large amounts of money whilst the ordinary people go
hungry. Time is running out for the French monarchy, and not even
Marie-Antoinette will be spared...
Script:Jean Delannoy,
Philippe Erlanger,
Bernard Zimmer (dialogue)
Cinematographer: Pierre Montazel
Music: Jacque-Simonot
Cast:Michèle Morgan (Marie Antoinette),
Richard Todd (Comte Axel von Fersen),
Jacques Morel (Louis XVI),
Jeanne Boitel (Mme. Campan),
Aimé Clariond (Louis XV),
Madeleine Rousset (Mme de Tourzel),
Guy Tréjan (Lafayette),
Georgette Anys (Une émeutière),
Marcelle Arnold (Mme. Adélaïde),
Edmond Beauchamp (Comte de Luxembourg),
Jacques Bergerac (Comte de Provence),
Marina Berti (Comtesse de Polignac),
Paul Bonifas (Herman),
Yves Brainville (Danton),
Anne Carrère (Mme Du Barry),
Suzy Carrier (Mme Elisabeth),
André Chanu (Le Prêtre assermenté),
Daniel Ceccaldi (Drouet),
Jean Claudio (Fouquier-Tinville),
Anne Doat (Rosalie)
Country: France / Italy
Language: French
Support: Color
Runtime: 120 min
Aka:Shadow of the Guillotine
The very best French thrillers
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.