Maintenant ou jamais (2014)
Directed by Serge Frydman

Drama

Film Synopsis

Generally speaking, when one is a mother one does not resort to holding up banks.  Bank holding-up is, after all, a specialist skill, not the sort of thing that amateurs and busy mums should trouble themselves with.  But times are hard and robbing the occasional bank is an effective way of balancing the household budget.  Of course, there is a downside.  There are risks involved and sometimes it can be downright dangerous, even if you have taken all the necessary precautions.  Of course the one thing you cannot plan for when indulging in this hectic pastime is the possibility that you might fall in love along the way...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Serge Frydman
  • Script: Serge Frydman (dialogue)
  • Cinematographer: Pierre-Hugues Galien
  • Music: Laurent Perez
  • Cast: Leïla Bekhti (Juliette Lesage), Nicolas Duvauchelle (Manuel Benetti), Arthur Dupont (Charles Lesage), Léo Lorléac'h (Léo), Bruno Abraham-Kremer (Le banquier), Vincent Ozanon (Le commissaire), Emmanuelle Moreau (Hôtesse accueil banque), Julie De Bona (La mère de Louise), Jean-Luc Couchard (Homme champ de courses), Thibaut Perrenoud (Banquier chargé des prêts), Elisabeth Macocco (La directrice de l'école), Nathalie Vignes (Guichetière Crédit Municipal), Stéphane Malassenet (Réceptionniste hôtel), Guillaume Verdier (Intermédiaire champ de courses), Vincent Debost (L'agent immobilier), Aymeric Dapsence (Préposé remplissage distributeur), Serge Onteniente (Caissier Crédit Municipal), Hugues Martel (Le juge), Axelle Bossard (Caissière magasin de meubles), Hélèna Guihard (Louise)
  • Country: France / Belgium
  • Language: French
  • Support: Color
  • Runtime: 95 min

The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright