Film Synopsis
The purpose of the famous stone statues on Easter Island, the moai, has long
been a source of speculation and controversy. No one knows for certain
what these remarkable monuments signify but they have been an object of fascination
for hundreds of years. Six individuals who have never met before feel
impelled to undertake a special pilgrimage to the island, after experiencing
the same disturbing series of dreams. The only thing that connects
these six diverse people is an interest in the occult. They comprise:
Alexandra, a Chilean heiress and spiritualist; Maurice, a French physician
and student of geomancy; an entomologist named Helvio; Norma, a Brazilian
astronomer; Françoise, a French ethnologist; and Irenio, an expert
in Brazilian magic.
Alexandra manages to talk her boyfriend, Alain Valserra, into accompanying
her on the journey. A psychologist, Alain has some reservations about
the bizarre expedition and feels that he will be out of place, the one non-believer
in the group of seven. Alexandra gets her way in the end, instinctively
knowing that her boyfriend's presence will be crucial for the success of
the enterprise, the purpose of which has yet to be revealed to her.
By the time they reach the island, the six pilgrims have got to know each
other well and are looking forward to what lies in store for them.
On reaching their awe-inspiring destination, they soon discover a cave where
their arrival has been long awaited.
It is here that the purpose of the expedition is at last revealed to them.
Every half a millennia, since the dawn of time, there is an astral alignment
which allows a distant race of beings to make contact with mankind.
The statues which have adorned the island for over a thousand years are in
fact carefully constructed beacons, intended to facilitate this communication
process. On this occasion, troubled by the violence they perceive,
the extraterrestrials are unwilling to establish contact with the chosen
representatives of humanity. One of the seven must stay behind and
await the next message, five hundred years hence...
© James Travers
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