Film Review
Claude Zidi's attempt to satirise the art of gag writing doesn't quite hit the mark but
there are plenty of decent laughs to be had along the way. It's a pity that the
storyline is such a rambling mess because the central premise of the film is a good one
- an exploration of how gag writers and performers can become obsessed in their art.
Admittedly not all of the jokes work, but there's great pleasure to be had in watching
the comic antics of Gérard Jugnot, Thierry Lhermitte and Coluche. It is ultimately
Michel Serrault who steals the show, with a brilliant (and thoroughly evil) parody-impression
of the great Orson Welles.
© James Travers 2007
The above content is owned by filmsdefrance.com and must not be copied.
Next Claude Zidi film:
Association de malfaiteurs (1987)
Film Synopsis
There was a time, not so long ago, when Gaétan was the funniest comedian
on television. But lately his popularity has taken a noticeable nosedive.
This does not surprise his wife Jacqueline, who keeps nagging him to give
up comedy and begin a more respectable career as a straight actor.
Fearing that his decline may be irreversible, Gaétan dismisses his
veteran gag writers, Robert and Jean, confident that their brand of humour
is distinctly dépassé. Encouraged by his secretary René,
the comedian sets out to find a new writing team in the hope that this will
bolster his popularity. He finds what he is looking for whilst attending
a show at a small theatre in the suburbs.
It is not the star of the show that interests him but an unknown comedy duo,
Paul and François, whose modern brand of comedy so appeals to Gaétan
that he signs them up straight away to work for him as gagmen. Sure
enough, with better material, Gaétan's popularity sky-rockets, and
as it does so the comedian attracts the attention of the well-known filmmaker
Robert Wellson, who is in Paris to make his latest film. Impressed
by Gaétan's obvious talents, Wellson offers him the leading role in
the film and the comedian accepts, to the delight of his wife. Alas,
this new opportunity turns out to be a total disaster for both the director
and his lead actor, who fail to hit it off. This bad experience merely
convinces Gaétan that he should stick to what he does best...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.