Les Marins perdus (2003)
Directed by Claire Devers

Drama
aka: Lost Seamen

Film Review

Abstract picture representing Les Marins perdus (2003)
With Les Marins perdus, director Claire Devers continues her exploration of the dark existentialist themes which are evoked by grim contemporary situations.  This is a film about alienation, exploitation and resentment of a life wasted, a haunting work whose impact derives mainly from the atmospheric photography and some gripping acting performances.  The film's realism and impact are cruelly marred by some inappropriate casting choices (Audrey Tautou is such an obvious miscast) and a few overly theatrical plot developments.  The dramatic ending has a touch of the Grand Guignol, somehow undermining the tragedy that is so perfectly conveyed in the film's opening fifteen minutes.
© James Travers 2005
The above content is owned by filmsdefrance.com and must not be copied.
Next Claire Devers film:
Noir et blanc (1986)

Film Synopsis

The old cargo ship L'Aldebaran has been grounded in the port of Marseille for several long months.  Most of its crew - mostly impoverished immigrants - have been sent on their way, their contracts ended with the meanest of payoffs.  The only two who remain are the vessel's Lebanese captain, Abdul Aziz, and his Greek number two, Diamantis.  Unsure what their future now holds for them, these two reflect on their recent misfortunes.  They are taken by surprise when one of their crewmates, a young man named Nedim, returns to them with a tale of woe.  It seems that he has been robbed of all of his money by a conniving pair of prostitutes.  With nothing better to do, Diamantis sets out to scour the city for his first love, Amina, in the hope of rekindling their erstwhile romance...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Claire Devers
  • Script: Claire Devers, Jean-Pol Fargeau, Jean-Claude Izzo (novel)
  • Cinematographer: Serge Dell'Amico, Christophe Pollock
  • Music: Stéphane Moucha, Gabriel Yared
  • Cast: Bernard Giraudeau (Diamantis), Predrag Manojlovic (Abdul Aziz), Sergio Peris-Mencheta (Nedim), Marie Trintignant (Mariette), Audrey Tautou (Lalla), Nozha Khouadra (Gaby), Darry Cowl (Falco), Bakary Sangaré (Ousbène l'Ivoirien), Ivan Franek (Le Marocain), Miglen Mirtchev (Subotica, le Hongrois), Maryline Even (Gisèle), Moussa Maaskri (Sergio, le videur), Veronica Novak (La prostituée), Fanny Avram (La serveuse), Princess Erika
  • Country: France
  • Language: French / English / Greek / Turkish
  • Support: Color
  • Runtime: 107 min
  • Aka: Lost Seamen

The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright