Les Malabars sont au parfum (1966)
Directed by Guy Lefranc

Comedy / Thriller

Film Review

Abstract picture representing Les Malabars sont au parfum (1966)
Such was the immense popularity of Georges Lautner's Les Barbouzes (1964) that French cinemas were inundated with daft spy thriller spoofs for the next half a decade, most massively inferior to the now classic comedy that set the ball rolling.   Les Malabars sont au parfum is a middling entry in this formulaic sub-genre, the inherent silliness of its plot redeemed by the accumulated talent of the comedy ensemble that it throws at us.  Francis Blanche pretty well steals the film as the inept Soviet agent (a role he was pretty well wedded to at this time in his career), with Darry Cowl (as a fumbling Agent 001) and Henri Salvador (as an apparently lobotomised gendarme) each bagging a fair quota of laughs on their own account.

Director Guy Lefranc specialised in popular comedies of this kind and had a knack of keeping audiences entertained, even if the gags were (as they are here) painfully well-worn and original ideas in chronically short supply.  After a promising first half, Les Malabars sont au parfum hastily degenerates into a predictable run-around as the screenwriters methodically work their way through the schoolboys' compendium of spy gags.  It's tempting to think that the scene at the end, where a cow is hoisted aloft by a helicopter, was inspired by Fellini's La Dolce vita, the statue of Christ replaced with something just as holy to commercial film producers, a vache à lait...
© James Travers 2015
The above content is owned by filmsdefrance.com and must not be copied.
Next Guy Lefranc film:
Béru et ces dames (1968)

Film Synopsis

Convinced that her soon-to-be married nephew Michel is harbouring a dark secret, Aunt Berthe hires a private detective to discover what he is hiding.  Michel's secret turns out to be a benign one: he has found a way to get a cow to deliver two hundred litres of milk a day, and naturally the Minister for Agriculture is interested in his discovery.  To ensure Michel comes to no harm, the latter supplies him with a personal bodyguard, in the form of the ravishing blonde Valérie, and insists that he takes his impending honeymoon in the suburbs of Paris, and not Venice as planned.  It is not long before the American and Soviet secret services have got wind of Michel's invention and sent their best available agents to kidnap the scientist...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Guy Lefranc
  • Script: Jean Curtelin, Jacques Emmanuel, Guy Lefranc, Guy Lionel
  • Cinematographer: Didier Tarot
  • Music: Claude Stieremans
  • Cast: Roger Pierre (François), Jean-Marc Thibault (Michel Bouchard), Darry Cowl (Cassius 0001), Francis Blanche (Ivanov), Henri Salvador (Batifol), Sophie Agacinski (Nicole), Hélène Duc (Tante Berthe), Gérard Darrieu (Petrossian), Jacqueline Jefford (Olga), Colin Drake (Le colonel Tumbled), Raymond Jourdan (Vinogradov), Claude Mansard (Smirnoff), Henri Labussière (M. Pincard), Christiane Minazzoli (Valérie), Max Amyl (Le pompiste)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 82 min

The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright