Film Review
It wasn't until his third feature that director Jean-Marie Poiré showed
his penchant for the kind of popular comedy that would create
a stampede to the box office and have American film producers beating
a path to his door to grab the rights to a remake.
Along with similar recent comedies like
Les Bronzés (1978),
Les Hommes préfèrent les grosses sounded the
death knell for the frankly puerile kind of comedy that had been
dominant in French cinema in the 1970s and ushered in an era of
more grown-up humour spawned by the café-théâtre phenomenon.
The successful troupe Le Splendid was instrumental in this 'maturation'
of French comedy in the late 1970s, early 1980s, and it was by hooking
up with this team that Poiré found his feet as a comedy director.
Not only does the film feature several members or close associates of the
Splendid team - Josiane Balasko, Thierry Lhermitte, Dominique Lavanant, Martin Lamotte -
it was also co-authored by Balasko, in fact it was based on a play she had written
entitled
Bunny's Bar. A member of an earlier highly popular comedy
team, Les Charlots, also appears in the film, namely Luis Rego.
The madcap situations, daft visual gags and over-the-top characterisation
all go to make this third Poiré offering
a comedy delight. Admittedly, the film is less rip-roaringly funny
than the director's subsequent hits -
Le Père Noël est une ordure
(1982),
Les
Visiteurs (1993) - but the humour-drenched script and
hilarious performances (Balasko is particularly on fine form) make
it an irresistible romp.
© James Travers 2005
The above content is owned by filmsdefrance.com and must not be copied.
Next Jean-Marie Poiré film:
Le Père Noël est une ordure (1982)
Film Synopsis
When her fiancé walks out on her, the frumpish Lydie has no choice but to find
a flat mate to share her expensive apartment. Her plan is to find someone who is
even less physically attractive than she is, to give her a chance of finding another man.
The scheme backfires when the ugly woman who originally agrees to share her flat drops
out and suggests a replacement: an attractive model named Eva. The latter has no
difficulty attracting men, much to the chagrin of an increasingly distraught Lydia…
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.