Film Review
Xabi Molia's follow-up to his well-received debut feature
8
fois debout (2010) offers another improbable mélange
of genres which miraculously gel into a satisfying and thoughtful
contemplation on life in the 21st century. Part road movie, part
social comedy, part quest adventure, with more than a soupçon of
old fashioned fairytale,
Les
Conquérants presents a weird variation on the search for
the Holy Grail myth which cannot help looking like an everyman remix of
Raiders of the Lost Ark.
In place of Harrison Ford, we have an unlikely duo formed by Denis
Podalydès and Mathieu Demy, who make a surprisingly effective
combination as two estranged half-brothers for whom a wacky adventure
with a stone goblet is just a pretext for an arduous process of
self-discovery and renewal.
Like Molia's first feature, this sophomore offering deals with some
serious and highly pertinent themes in a gently offbeat and
light-hearted manner. There are some bizarre, even surreal,
digressions along the way (the comic highpoint is a disastrous heist
which propels us into comicbook territory, and a flying horse shows up
for some reason at one point), but
Les
Conquérants never loses sight of the painful realities of
modern life which impinge on the two protagonists - the difficulty in
forming meaningful relationships, the precarious nature of a career in
the sporting or artistic arena, coping with life-threatening illnesses,
and so on.
It is presumably a lack of spiritual backbone, not gullibility, that
leads the two brothers to believe they are cursed by an ancient
artefact, but it is by going to absurd lengths to exorcise the curse
(in Demy's case this includes fending off a gigantic bear, cuddling up
naked with a sheep and potholing in red shorts) that they accomplish a
timely spiritual healing. Again, man's relationship with the
natural world is central to Molia's anti-materialistic thesis (cue some
stunning location photography in the Basque country), and the film
concludes in a similar vein to
8
fois debout, asserting that it is only through a harmonious
union with nature that a human being can be at one with himself and the
world around him. Although it occasionally betrays signs of
borderline insanity,
Les
Conquérants is an intensely likeable genre pick'n' mix
that provides a cogent parable for our times.
© James Travers 2015
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
Galaad and Noé have nothing in common except that they share the same
father and seem destined to fail at everything they attempt, in both their
professional and personal lives. The first they get to hear of each
other's existence is when they meet at their father's funeral. Galaad
is the most pathetic of the two. A failed actor, his wife has recently
walked out on him and he is now suffering from a second attack of lymphoma.
Noé's personal history is hardly any better. A football coach
with a horrible moralising tendency, his career has been about as noteworthy
as that of a stillborn slug. Two more miserable specimens of humanity
it is hard to imagine.
Archetypal losers of the first rank, the two men are at a complete loss to
account for the misfortunes that have blighted their lives, but a possible
explanation suddenly comes to them. It is all down to an ancient relic
that their father found in a cave deep in the Pyrenees! This mysterious
object obviously once had some religious significance, so it is not so implausible
that it should be the cause of all their problems. Galaad and Noé
realise that there is only way they can bring an end to their unending cycle
of bad luck. This is to steal the relic, a sacred stone goblet, and
return it to its rightful underground resting place. Getting their
hands on the cursed artefact proves to be enough of an ordeal. Putting
it back where it belongs is one adventure that the brothers are far from
equipped to deal with...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.