Les Caprices d'un fleuve (1996)
Directed by Bernard Giraudeau

History / Drama
aka: Unpredictable Nature of the River

Film Review

Abstract picture representing Les Caprices d'un fleuve (1996)
Acclaimed French actor Bernard Giraudeau followed his promising directorial debut (L'Autre ) with this lavish period piece, filmed largely on location in Africa.  The sumptuous cinematography just about makes up for the film's languid pace, although the threadbare narrative and weak characterisation do make the film feel painfully long and empty.  Despite its faults, the film allows Giraudeau, a man noted for his humanism, to make some worthwhile statements about the human condition.  Characteristically, the film's rather poignant ending offers a gentle plea for multi-racial co-existence.
© James Travers 2004
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

In 1786, Jean-François de la Plaine, a friend of King Louis XVI of France, kills a man in a duel.  By way of punishment, he is sent into exile and made governor of a small French trading post in West Africa, Port Saint-Louis.  Jean-François resents his exile at first, but he soon comes to develop an intense liking for his new home.  However, the natural splendour of the region is totally at odds with the corruption that is rife here.  Through his dutiful subordinates, Blanet and Combaud, La Plaine learns that slave trading and smuggling are endemic, but he is powerless to prevent these.  In the course of a visit to a local king, he is made a gift of a young slave girl named Amélie. 

To the consternation of his entourage, Jean-François chooses to bring up the slave girl as if she were his own daughter.  Unable to adapt to her new life, Amélie runs away.  Ignoring Blanet's well-meaning advice, Jean-François goes after her, realising how much his young protégée now means to him.  Within a few years, France is caught up in the turmoil of the Revolution, but the slave trade continues as before.  Amélie is by this time a grown woman and is pregnant with her benefactor's child.  Relieved of his duties by the Republicans forces, La Plaine must return to France, leaving behind him the young woman who is dearer to him than anyone in the world.  When he returns to the region some years later, he is shocked to discover that his beloved Amélie died whilst giving birth to his son...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Bernard Giraudeau
  • Script: Bernard Giraudeau
  • Cinematographer: Jean-Marie Dreujou
  • Music: René-Marc Bini
  • Cast: Bernard Giraudeau (Jean-François de La Plaine), Richard Bohringer (Le commandant de Blanet), Thierry Frémont (Pierre Combaud), Roland Blanche (Monsieur Denis), Raoul Billerey (L'abbé Fleuriau), Aissatou Sow (Amélie), France Zobda (Anne Brisseau), Olivier Achard (Monsieur de Kermadec), Vincent de Bouard (Le Chevalier de Marcera), Frédéric Lorber (Le chirurgien major), Christian Rauth (Le capitaine français), Smaïl Mekki (Le maître des langues), Moussa Touré (Hannibal), Denis Laustriat (La voix du fils), Anna Galiena (Louise de Saint-Agnan), Pierre Arditi (Henri de Breuil), Jean-Claude Brialy (Monsieur de Saint-Chamont), Marie Dubois (La vieille duchesse), Lambert Wilson (Monsieur de la Malène), Sophie Artur (Eléonore)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 111 min
  • Aka: Unpredictable Nature of the River

The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright