Film Review
Les Amours d'Astrée et de
Céladon has been presented as Eric Rohmer's final
film. If this is so, it is an appropriate close to the career of
the oldest and arguably greatest of the surviving New Wave directors -
a tale of love in a bucolic setting that feels like the purist
distillation of Rohmer's entire oeuvre. It may not be in the
league of this director's previous great films, but it is a film with
immense charm and is a fitting, and typically individualistic, way for
Eric Rohmer to sign off.
Based on an epic 17th century novel by Honoré d'Urfé, the
film recounts a romantic fable set in fifth Century Gaul. Rohmer
adheres as close as he can to the spirit and form of the original novel
and, as a result, the film has a beguiling unreality that sets it apart
from most of modern cinema. It isn't so much a piece of drama as
an alluring visual poem in which the protagonists are not real people
but the dream-like abstractions that we find in fairy tales and myths.
To some, the film will appear shallow and precious. The stylised,
almost theatrical performances do jar somewhat but, on reflection, are
appropriate for the kind of film that Rohmer had in mind. This is
not a realist drama but a piece of visual poetry, comparable only with
Rohmer's earlier
Perceval le Gallois (1978), one
that celebrates the splendour of romantic love and the beauty of the
natural world. The antithesis of today's commercial cinema, which
seems increasingly obsessed with showing us the worst of humanity,
Les Amours d'Astrée et de
Céladon is a refreshing reminder that there are artists
who can still see wonder and beauty in the world and convey this in
their work.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Next Eric Rohmer film:
Véronique et son cancre (1958)
Film Synopsis
Gaul in the 5th Century. Astrée is a beautiful young
shepherdess who is devotedly in love with Céladon, a handsome
young shepherd. But when she imagines that her lover has been
unfaithful to her, Astrée tells him that their love is at an
end. Disconsolate at this rejection, Céladon throws
himself into the river, but is saved from drowning by a party of
nymphs. They take him to their castle and tell him that he must
never leave them, yet Céladon longs to be with the one he
loves. But how can he return to Astrée, when he has sworn
never to appear in her sight again...?
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.