Le Trio infernal (1974)
Directed by Francis Girod

Comedy / Crime / Horror

Film Review

Abstract picture representing Le Trio infernal (1974)
Le Trio infernal marked an auspicious directorial debut for Francis Girod and proved to be one of the most controversial French films of the 1970s.  An outlandish yet supremely stylish black comedy, it provoked a fierce reaction in the French press, with some commentators almost spitting blood in moral outrage at the film's apparent depravity.  The fact that the film featured two of French cinema's most high-profile actors of the time, Michel Piccoli and Romy Schneider, merely fuelled the controversy.  The film's notoriety stemmed largely from its most shocking sequence - the one in which the main protagonists dispose of two naked bodes in a bath of acid.  With few, if any, concessions to good taste, Girod goes so far as to show the bodies at their various stages of decomposition and follows this up with a protracted piece of farce in which the killers empty the gory contents of the baths with a soup ladle and bucket.   Not what you might call cosy family viewing. 

Fantastic as it may seem, Le Trio infernal is not a work of fiction but is in fact closely based on a real-life case.  In 1934, Georges Sarret was guillotined for his litany of crimes, protesting his innocence (in spite of some incontrovertible evidence against him) right up to the very end.  The film spares us this grim final chapter in Sarret's life and instead concludes with a tongue-in-cheek happy ending.  If, as some would have us believe, marriage is the closest thing to Hell on Earth, then perhaps Sarret does get his just deserts in the end.  (Just imagine all those fun evenings when his wife runs a bath for him.)

One of the things which most shocked cinema audiences at that time was the spectacle of Romy Schneider playing a nymphomaniac murderess. For several years, the actress had struggled to rid herself of her association with the role of Sissi (Elisabeth of Bavaria), a sugar-sweet character she had played in a series of films in the 1950s.  It is reported that Schneider's primary motivation for appearing in Le Trio infernal was to lay to rest her Sissi persona so that she would be free to move on and extend her repertoire.  If this is the case, she certainly succeeded.  Schneider's portrayal of the amoral killer Philomène is one of her darkest and most brilliant creations, not merely a monster, but a tragic and complex character whose perverse acts are the product of intense personal traumas.

If Romy Schneider is the Devil's handmaiden in this film, then her co-star Michel Piccoli is the Devil himself.  In one of his most outrageous - and, it must be said, entertaining - performances, Piccoli relishes every moment of his character's macabre exploits and emerges as the very personification of evil.  The actor's seductive charms have rarely been used to such diabolic ends; this is a performance to savour.  Piccoli inhabits the part of the villainous Georges Sarret so thoroughly and so convincingly that he chills the blood in virtually every scene, to the extent that he could give most of cinema's other great horror icons a pretty good run for their money.  Le Trio infernal is pretty sick, but we should not lose sight of the fact that what it depicts is a stratum of society (the French bourgeoisie immediately after WWI) that is mired in its own sickening decadence and moral vacuity.  If the film shocks us, then we probably deserve to be shocked.
© James Travers 2005
The above content is owned by filmsdefrance.com and must not be copied.
Next Francis Girod film:
La Banquière (1980)

Film Synopsis

After serving with distinction in the First World War, Georges Sarret now makes a respectable living as a lawyer in the town of Marseille.  Aware that his mistress Philomène Schmidt is about to deported back to her native Germany, he finds her a husband, Villette, who obliges her by dying within a month of the wedding.  Georges then invites Philomène's sister Catherine over to France so that he can marry her to another old man and pick up a nice windfall when he drops dead not long afterwards.  It would seem that Georges and his two German mistresses have hit upon a sure-fire way to get rich.

Unfortunately, Georges's accomplice, Marcel Chambon, and his mistress, Noémie, see through his little scheme and try to extort money from him.  Georges has no alternative but to kill the two of them and dissolve their bodies in sulphuric acid.  He then hires another man to pass himself off as Chambon so that he can get his hands on all of his personal assets.  The success of these gruesome criminal exploits quickly goes to the heads of the infernal trio and they are soon planning their next money-making scam.

Georges begins by insuring Catherine's life with five different insurance companies, and then finds a woman of her age, Magali, who is likely to die from tuberculosis in the very near future.  It is left to Catherine to hasten Magali's demise, by getting her to lead the most debauched life.  Unfortunately, things do not go quite according to plan.  It is Catherine who ends up dying in an accident, to the advantage of Georges and her sister who are now so rich that they can give up crime altogether...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Francis Girod
  • Script: Francis Girod, Jacques Rouffio, Solange Fasquelle (novel)
  • Cinematographer: Andréas Winding
  • Music: Ennio Morricone
  • Cast: Michel Piccoli (Georges Sarret), Romy Schneider (Philomena Schmidt), Mascha Gonska (Catherine Schmidt), Philippe Brizard (Chambon), Jean Rigaux (Villette), Monica Fiorentini (Magali), Hubert Deschamps (Detreuil), Monique Tarbès (Nurse), Andréa Ferréol (Noemie), Francis Claude (Doctor), Pierre Dac (Insurance doctor), Luigi Zerbinati, Jean-Pierre Honoré, Henri Piccoli, Martine Ferrière, Nicole Chomo, Isabelle Lebel, Adolfo Geri, Fany Renan, Rolph Spath
  • Country: France / West Germany / Italy
  • Language: French
  • Support: Color
  • Runtime: 107 min

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