After making a promising directorial debut with Le Ciel, les oiseaux et... ta mère!
(1999), Djamel Bensalah failed to win many plaudits for this chaotic adventure comedy.
Although the film offers a few decent laughs, its shambolic script, over-abundance of
special effects and totally haphazard direction land it a place firmly in the bottom drawer
of cinema entertainment. The film's only saving grace is the infrequent appearance
of Gérard Jugnot, the only actor in this incoherent mess who is capable of injecting
some real comedy into it.
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Film Synopsis
Sami and his loyal friends Tacchini, Yaya and Kader form a gang of petty
criminals who scrape by in the suburbs of Paris. Their boss, Carlito,
is unimpressed when they bungle a straightforward robbery but he gives them
a chance to redeem themselves by spying on his fiancée, who is presently
based in Canada. Sami and his friends are engaged on this fairly innocent
assignment when they are mistaken for a group of professional hitmen.
Before they know it, they are tasked with a new mission - to find and kill
the wealthy heiress Léonore de Segonzac.
It seems that Léonore is a young woman who is addicted to taking risks.
Even though several members of her family have recently managed to kill themselves
by indulging in their passion for extreme sports, she cannot resist entering
herself in the most dangerous competition on the planet - an adventure race
called 'Le Raid'. Sami and his three friends manage to get their mission
off to a good start by entering themselves in this contest, with Léonore
as their team leader. As the competition gets underway in South America,
the hired killers who were originally assigned to murder the heiress show
up and begin chasing after Sami and his friends. Even if Léonore
and her three hapless crew members do manage to survive the ordeal of Le
Raid, it is doubtful that they will evade the ruthless assassins who are
close on their tail, armed to the teeth...
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.