Film Review
The bleak unpopulated landscapes of Alain Tanner's films express the emptiness of his
protagonists' inner lives but never more so than in
Le Milieu du monde,
a grimly realist character study centred on a man slowly waking up to the futilty
of the delusions on which he has built his life and career.
Portrayed with extraordinary conviction by Philippe Léotard, the hero (if we
can call him that) believes he has found his perfect soul mate in an
Italian waitress. But as he imagines a new future for himself with his
belle idéale (who is, ironically, one of the foreigners that
his political party desires to oust from the country),
he is merely constructing a fantasy which, if it were to come about,
would be no more satisfying than his present life, a heap of burned out illusions
that add to up to precisely nothing.
By denying the possibility that dreams can ever bring happiness but are merely
egoistical fantasies that will inevitably crumble to dust Tanner leaves
us with his most pessimistic assessment of life so far, one
that he would solemnly reiterate in his later film
La Vallée fantôme (1987).
Even love is shown to be a delusion, perhaps the biggest delusion of them all - a fiction we
create for ourselves to satisfy our obsessive craving
for acceptance and which will inevitably burst like a balloon once
the ugly realities it tries to conceal have hit home. And if love is
inherently delusional, what else is left? Tanner's answer is pretty clear-cut: precious
little. Without dreams we are nothing.
© James Travers 2002
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Next Alain Tanner film:
Jonas qui aura 25 ans en l'an 2000 (1976)
Film Synopsis
Paul, a high-flying engineer, is proud to have been born in a Swiss town the locals refer
to as the Centre of the World. He is running for a local election when he meets
Adriana, a young Italian waitress in a café. Although he is married, Paul
starts to have a passionate love affair with Adriana, and is soon prepared to give up
everything for her. However, the young waitress realises that it is not she
that Paul loves but a self-made fantasy...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.