Le Maître de forges (1933)
Directed by Abel Gance, Fernand Rivers

Drama / Romance
aka: The Ironmaster

Film Review

Abstract picture representing Le Maitre de forges (1933)
Adapted from Georges Ohnet's 1882 novel of the same title,  Le Maître de forges exemplifies the kind of formulaic melodrama that was enormously popular in the 1930s but which now appears unbearably hollow and dated.  Its lead actress Gaby Morlay would become closely associated with this sort of film, to the extent that she can legitimately be described as the queen of the French melodrama (a term than now seems horribly derisive).  The film's main point of interest is that it was the first sound film to be directed by Fernand Rivers, who had, during the previous two decades, directed and starred in a series of short films featuring the popular comic character Plouf, whom he had created.

On Le Maître de forges Rivers was assisted by Abel Gance (credited as the film's supervisor), who was struggling both financially and morally after the catastrophic failure of his first sound film, La Fin du monde (1931).  Gance's input was somewhat more than supervisory - he had a hand in the screenplay and probably directed several scenes in the film.  Gance also worked with Rivers on his next film, La Dame aux camélias (1934), and by the end of the decade Rivers was a fully fledged filmmaker, impressing most with his period dramas.  In the late 1940s, towards the end of his career, Fernand Rivers remade Le Maître de forges (God knows why) with Hélène Perdrière and Jean Chevrier in the lead roles - a film that is as dull and forgettable as Rivers' first attempt.
© James Travers 2015
The above content is owned by frenchfilms.org and must not be copied.
Next Abel Gance film:
Le Roman d'un jeune homme pauvre (1935)

Film Synopsis

The wealthy Claire de Beaulieu is about to marry the Duke de Bligny, an impoverished nobleman, when disaster strikes.  Her family ruined, Claire is not surprised when her fiancé gives her up to marry instead a rich heiress.  She allows herself to be married by Philippe Derblay, the master of an ironworks and a man for whom she has no feelings.  Despite her husband's devoted attentions, Claire cannot bring herself to love him and insists that they sleep in separate beds.  When the Duke de Bligny challenges Philippe to a duel Claire suddenly realises how much her husband means to her...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Abel Gance, Fernand Rivers
  • Script: Abel Gance, Fernand Rivers, Georges Ohnet (novel)
  • Cinematographer: Georges Lucas, Harry Stradling Sr.
  • Music: Henri Verdun
  • Cast: Gaby Morlay (Claire de Beaulieu), Léon Belières (Monsieur Moulinet), Paule Andral (Marquise de Beaulieu), Jacques Dumesnil (Gaston de Bligny), Henri Rollan (Philippe Derblay), Rivers Cadet (Baron de Prefont), Christiane Delyne (Athenais de Moulinet), Ghislaine Bru (Suzanne Derblay), Guy Parzy (Octave de Beaulieu), Irma Génin (Baronne de Prefont), Jean Dulac, Jane Marken, Marcel Maupi
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 98 min
  • Aka: The Ironmaster

The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright