Le Garde du corps (1984)
Directed by François Leterrier

Comedy / Thriller

Film Review

Abstract picture representing Le Garde du corps (1984)
François Leterrier may have earned his place in cinema history with his arresting lead performance in Robert Bresson's Un condamné à mort s'est échappé (1956) but his subsequent career as a film director is pretty patchy, his early, more worthy cinematic offerings such as Un roi sans divertissement (1963) and Les Mauvais coups (1961) soon giving way to low-grade fare of the level of Good-bye, Emmanuelle (1977). Le Garde du corps is one of the more entertaining mainstream comedies that Leterrier put his name to before he finally abandoned cinema for television in the mid-1980s. Following on from the success of Les Babas Cool (1981) Leterrier joins forces with another member of the popular troupe Splendid - namely Gérard Jugnot - to deliver an even livelier comedy, aided and abetted by Jane Birkin and Sami Frey.

Plotwise, it's a throwback to those over-exuberant nonsense comedies of the 1970s (those that now appear targeted at an audience with an average IQ in single figures), but the three leads give it a touch of class and make up for the silliness that the screenwriters keep lobbing in their direction. Jugnot is, as ever, cast as the sympathetic loser but his everyman presence at least helps to anchor the film in reality whilst Birkin and Frey look hellbent on making this a Feydeau farce - if Frey had been given a moustache it's a fair bet he would have spent most of the film twirling it like any other self-respecting pantomimic villain. A healthy dose of black humour makes up for the uneven narrative and scattergun comedy, although you do end up wondering how anyone who rubbed shoulders with the likes of Robert Bresson, Louis Malle and Yves Allégret could have come to this. Greatness obviously isn't contagious.
© James Travers 2006
The above content is owned by filmsdefrance.com and must not be copied.
Next François Leterrier film:
Tranches de vie (1985)

Film Synopsis

Through his mother's dating agency, Paul meets Barbara, an attractive English journalist.  Whilst he becomes besotted with her, she has no interest in him and, instead, falls for the charms of another man, Julien.  When he learns that Julien has had two other wives who have both died in suspicious circumstances, Paul becomes anxious for Barbara's safety.  Certain that Julien intends to murder Barbara for her life assurance money, Paul follows the couple on their honeymoon in Morocco.  When he learns that Julien has abandoned his wife in the desert, Paul's worst fears seem to be confirmed.  However, Barbara ignores his warnings, believing he is merely upset by her decision to marry Julien instead of him.  Is Paul imagining things or is Barbara's life really in peril...?
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: François Leterrier
  • Script: Yves Kermorvan, Gérard Jugnot, Didier Kaminka (dialogue), François Leterrier
  • Cinematographer: Eduardo Serra
  • Music: Jean-Pierre Sabar
  • Cast: Jane Birkin (Barbara Penning), Gérard Jugnot (Paul Domec), Sami Frey (Julien Duchemin), Didier Kaminka (André), Nicole Jamet (Claudine), Evelyne Didi (Jocelyne), Daniel Langlet (François), Elisa Servier (Catherine), Jacqueline Doyen (Yvette, la mère de Paul), François Siener (Martial), Flore Fitzgerald (Sara), Simone Roche (Huguette), Jacques Mathou (Le gardien du parc animalier), Dorothée Picard (La vieille fille), Daniel Vérité (Le chef cuisinier), Pierre Frag (L' automobiliste au bord du ravin), Isabelle de Botton (L'opératrice d'Air France), Souad Faraoui (La responsable de Tourisme hôtel), Pilou (Un chien), Mohamed Habachi
  • Country: France
  • Language: French
  • Support: Color (Fujicolor)
  • Runtime: 100 min

The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright