Le Gang des Antillais (2016) Directed by Jean-Claude Flamand-Barny
Crime / Thriller
Film Review
Jean-Claude Flamand-Barny made his feature debut way back in 2005 with
Nèg maron, a kind of Rebel Without a Cause
set in the Caribbean. Ten years on, he is back with his somophore
offering, a retro-style thriller that looks uncannily like a blaxploitation
flick of the 1970s. Taken from Loïc Léry's autobiographical
book, Le Gang des Antillais recounts a true story that resulted from
a well-meaning government immigration initiative of the 1970s that went
very badly wrong. The important social context of Léry's book
is almost completely lost in Flamand-Barny's film, which merely turns it
into a fairly routine gangster thriller of the kind that now struggles to
arouse much interest after the genre peaked with Jean-François Richet's
Mesrine dipytch
(2008) and Olivier Assayas's Carlos
(2010) a few years ago. What makes the film stand out is that it has
a predominantly black cast. The fact that this is still a rarity in
French cinema tends to make the film's underlying social point (that blacks
still get a raw deal in France) more effectively than the film itself does.
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Film Synopsis
In the 1970s, the French government created a new agency known as BUMIDOM
to help people from the country's overseas territories settle in mainland
France. Jimmy Larivière is one of the hopeful settlers
who leaves his home on the island of Martinique to start a new life in France.
Once he has arrived in Paris, Jimmy has difficulty not only finding work
but also being accepted by native French people. He is left to raise
his infant son by himself when his white partner abruptly leaves him.
Disillusioned and desperately in need of cash, he drifts easily into a life
of crime, hooking up with a gang of small-time crooks of West Indian origin.
As the stakes are raised, Jimmy's criminal exploits take an increasingly
bloody turn...
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.