Le Chanteur de Mexico (1956)
Directed by Richard Pottier

Comedy / Musical / Romance

Film Review

Abstract picture representing Le Chanteur de Mexico (1956)
Francis Lopez's popular operetta, first performed at the Théâtre du Châtelet in Paris in the early 1950s, is lavishly reinterpreted for the big screen in this sumptuous musical directed by Richard Pottier.  By this time, the Spanish singer Luis Mariano had become one of the most popular musical stars in Europe (as big an attraction as The Beatles would be in the next decade) and no one was better placed to take the lead role, having proven his talents as both an actor and singer in a string of box office hits that included Andalousie (1951), Violetas imperiales (1952) and La Belle de Cadix (1953).  The real casting masterstroke on Le Chanteur de Mexico was the pairing of Mariano with another prominent star of the period, the comic actor Bourvil, who was himself a more than able musician.  It is no surprise that the film was an instant hit, attracting an audience of 4.8 million in France alone.  Sadly, Mariano's next venture with Bourvil, Sérénade au Texas (1958), was to prove a disastrous misfire, partly as Mariano's popular appeal had begun to wane with the advent of a new musical phenomenon, rock music.

At a time when French cinema was predominantly monochrome and struggling to throw off the mantle of post-war austerity, colourful musical extravaganzas like Le Chanteur de Mexico came as a welcome moral-booster, matching the vitality and enjoyable kitsch appeal of the very best MGM musicals.  Whilst the film suffers (as most film musicals do) from its lumbering pedestrian plot and threadbare characterisation, the boisterous extravagance of its show-stopping musical numbers more than redeems it.  Pottier's direction is at best workmanlike, occasionally downright uninspired, but who can forget the slow tracking shot up the Eiffel Tower with Mariano singing as he and his entourage of happy workers paint Paris's most famous monument?  Or the beautiful ode to friendship that Mariano croons with Bourvil as they trail a flock of sheep across the lush French countryside?  Le Chanteur de Mexico may not have endured as well as some of the great American musicals but, on the strength of its uplifting, effortlessly choreographed musical numbers, it easily qualifies as a classic, a particularly welcome treat for any fan of Mariano and Bourvil.
© James Travers 2013
The above content is owned by filmsdefrance.com and must not be copied.
Next Richard Pottier film:
Sérénade au Texas (1958)

Film Synopsis

Monsieur Cartoni, an important impresario, is organising a lavish operetta in Mexico when he runs into serious difficulties.  It seems that the famous tenor Michel Morano, who was to have taken the lead role, is unwilling to set foot in the country through fear of being pounced on by a woman he once promised to marry, Tornado.  Cartoni has no option but to find himself a replacement singer, and in Vincent Etchebar he has the ideal candidate.  The impresario recently met Vincent when he was passing through a Basque village and was struck both by his physical resemblance to Marano and his remarkable ability as a singer.  Surely no one could tell the two men apart!

Alas, by now Vincent has already departed from his village and has moved to Paris with his friend Bilou to find work as exterior decorators.  Presently, they are engaged on painting the Eiffel Tower.  Encouraged by Cri-Cri, the pretty young woman he lodges with, Vincent enters a radio talent competition, and this allows Cartoni to track him down.  Without undue ceremony, Vincent is offered a contract for the Mexican tour and he accepts gladly.  Before he knows it, he is busy rehearsing with his stunning co-star Eva Marchal, just before they set of for Mexico.  Jealous, Cri-Cri is not far behind, with Bilou.

Morano's fears about his personal safety in Mexico turn out to be well-founded.  His double has barely been in the country five minutes before the matrimonially obsessed Tornado is planning his abduction, so determined is she to get him to honour his (or rather Morano's) promise of marriage.  The kidnapping comes off as planned and Vincent soon finds himself at the not so tender mercies of his amorous admirer.  It is up his friends Bilou and Cri-Cri to save him from a fate worse than death...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Richard Pottier
  • Script: Raymond Vincy, Jesús María de Arozamena, Félix Gandéra (story)
  • Cinematographer: Lucien Joulin
  • Cast: Luis Mariano (Miguel Morano), Bourvil (Bilou), Annie Cordy (Cri-Cri), Tilda Thamar (Eva Marchal), Gisèle Grandpré (La Tornada), Pauline Carton (La tante de Cri-Cri), Paul Faivre (Le cousin Bidache), Manolo Morán (Martínez), Angelvin (Le speaker du radio crochet), Robert Dalban (Le portier du théâtre), Fernando Rey (Cartoni - l'impresario), Robert Thomas (Un secrétaire de Cartoni), José Blach, María Dolores Cabo, Rachel Dorange, Anika Dove, Lydia Dubourg, Freddy Foh, Manuel Guitián, Yvonne Jacquemot
  • Country: Spain / France
  • Language: French
  • Support: Color
  • Runtime: 103 min

The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright