Le Carrosse d'or (1953)
Directed by Jean Renoir

Comedy / Drama / Romance
aka: The Golden Coach

Film Review

Abstract picture representing Le Carrosse d'or (1953)
Le Carrosse d'Or is the film which marked the return of Jean Renoir to European film-making after his 13 year stay in the United States.  It is a lavish production, beautifully filmed in colour, with music provided by Vivaldi.  The film was made in English and filmed in Rome, and three versions of the film were released (in English, French and Italian).

Not as garish or flippant as Renoir's subsequent films (French Cancan and Eléna et les hommes), Le Carrosse d'Or possesses a melancholic realism which those films lack.  Renoir presents us with an overly romantic, almost theatrical view of life in a Spanish colony in the 18th Century.  However this is not a problem because the film's major theme is how, in the eyes of the film's central character, Camilla, real life and theatre are inextricably merged.  The film might well have been shot on a stage - it would still have worked.

This is an exceptional film, but that is only partly due to Renoir's masterful direction.  The main reason for the film's success is down to an incredible performance from its lead actress, Anna Magnani. Her portrayal of Camille is both engrossing and intensely moving, reminiscent of the performance of a truly great opera singer.  Everything we see and feel is from her perspective so that the spectator almost becomes a part of the character she is portraying.  Renoir is renowned for getting the best from his actors, and in this film Renoir has hit the jackpot with Magnani.

New Wave director François Truffaut was so taken by this film that it inspired the name of his film production company: Les Films du Carrosse.
© James Travers 2001
The above content is owned by filmsdefrance.com and must not be copied.
Next Jean Renoir film:
French Cancan (1954)

Film Synopsis

In the 18th Century, a travelling band of actors arrive in a Spanish colony in South America.  When they are invited to perform before the royal court, the Viceroy, Ferdinand, instantly falls in love with the leading performer, Camilla.  As a token of his love he offers her the golden coach which he has been given for state occasions.  It is an act which infuriates his court and embarrasses Camilla, who has two other suitors...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Jean Renoir
  • Script: Prosper Mérimée, Jean Renoir, Jack Kirkland, Renzo Avanzo, Giulio Macchi, Ginette Doynel
  • Cinematographer: Claude Renoir, Ronald Hill
  • Cast: Anna Magnani (Camilla), Odoardo Spadaro (Don Antonio), Nada Fiorelli (Isabella), Dante (Arlequin), Duncan Lamont (Ferdinand, Le Viceroy), George Higgins (Martinez), Ralph Truman (Duc de Castro), Gisella Mathews (Marquise Irene Altamirano), Raf De La Torre (Le Procureur), Elena Altieri (Duchesse de Castro), Paul Campbell (Felipe), Riccardo Rioli (Ramon, le Toreador), William Tubbs (Aubergiste), Jean Debucourt (Eveque de Carmol (de Comédie-Française)), Renato Chiantoni (Capitaine Fracasse), Fedo Keeling (Vicomte), Alfredo Kolner (Florindo), Lina Marengo (Vieille Comedienne), Cecil Mathews (Le Baron), Alfredo Medini (Polichinelle)
  • Country: France / Italy
  • Language: French / English / Italian
  • Support: Color
  • Runtime: 103 min
  • Aka: The Golden Coach

French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright