Film Review
When Henri Alleg's autobiographical account of his experiences at the
hands of the French military in Algeria was published in February 1958,
in a small book entitled
La Question,
it provoked a scandal in France. The book was uncompromising in
its description of the torture methods used by French paratroopers and
proved embarrassing for both the military and the government, who were
quick to denounce it and have it removed from circulation.
Twenty years on, Laurent Heynemann's film adaptation of Alleg's
experiences proved to be almost as controversial and aroused so much
anger from rightwing pressure groups that its distribution in France
was curtailed. France was not yet ready to face the truth of its
shameful past in Algeria.
Jean-Luc Godard had previously broached the dirty subject of torture in
Le
Petit soldat (1963), which had initially been banned by the
government censor. Heynemann's film is far more graphic than
Godard's (although nowhere near as graphic as what is described in
Alleg's book) and makes uncomfortable viewing, even today. What
makes the film particularly shocking is the detached, near-documentary
style that Heynemann adopts for his film. At no point does the
spectator have the assurance that he is merely watching a simulated
reconstruction. The sparse mise-en-scène, the unpolished
cinematography and understated performances create a potent sense that
what we are watching is real, that the suffering we witness, glimpsed
through Heynemann's aggressively static objective camera, is
genuine. Heynemann has no need to underscore the drama with
cinematographic gimmickry; all he has to do is replay what Alleg
describes so vividly in his book; and the effect is chilling.
Instead of well-known actors, Heynemann cast little-known performers on
the strength of their ordinariness. Jacques Denis is so perfect
for the central part of Charlegue, so lacking in actor starriness, that
you would not think he was an actor. It is the ordinariness
of Denis's persona that makes it so easy for the spectator to identify
with him, and therefore to receive the full horrific impact of the
torture scenes (which include electrocution from a portable generator
and near-asphyxiation by water torture). The actors playing the
soldiers who torment Charlegue have a similar everyman quality.
Far from being fiends, the torturers are well-rounded characters who
have a sympathetic side, which perhaps makes it harder to comprehend
their actions. The one area of dramatic licence is the film's
portrayal of police officials and politicians - they are presented as
weak, ineffective and totally out of touch, an easy caricature of the
ineffectual leaders of the French Fourth Republic.
La Question is not so much an
attack on the French military's use of torture in Algeria as a cogent
warning of the ease with which a supposedly civilised country can
surrender its moral precepts and act in a way that makes it resemble a
third world dictatorship. Recently, the film has acquired a
greater resonance in the light of the use of torture by the West in
dealing with the threat of international terrorism. The question
we must ask ourselves is: do we accept that torture is a necessary evil
or is it something that is so contrary to human dignity that it can
never have a place in a mature democracy? It is a question that
western governments seem strangely reluctant to answer...
© James Travers 2012
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
Algiers, 1957. Henri Charlegue is the editor of a newspaper that
is sympathetic to the cause of the FLN (Algerian National Liberation
Front). Fearing that he may be arrested for involvement with FLN
activities, Charlegue goes into hiding. When he subsequently
visits his friend and colleague Maurice Oudinot, he is taken into
custody by French paratroopers and locked up in a prison camp, where he
is subjected to increasingly cruel forms of torture. Despite his ill-treatment, Charlegue
refuses to betray the people who sheltered him, although he fears for
the safety of his wife. He does not know that Oudinot has just
died whilst being tortured and that the military are working hard to
conceal the fact...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.