Film Review
Jacques Maillot's third feature after his well-received
Nos vies heureuses (1999) and
Les Liens du sang (2008) is
this moody social drama which seems highly pertinent for our troubled
times, dealing as it does with the uglier side of capitalism and the
human cost of corporate greed.
La Mer à boire depicts the David and Goliath battle
between a shipyard owner who is determined to save his family business
and the corporate giants that have the power to save him or destroy
him, depending on what he is prepared to give up. It is a story
that is depressingly familiar and the outcome is all too
predictable. Maillot's film serves to remind us of the staggering
inhumanity and injustice the capitalist system is capable of, and how
easily lives and careers can be destroyed by the forces of global
capitalism.
As well-intended as Maillot's film is, it struggles to say anything
profound or original and consequently it doesn't have anything like the
impact it should. Most of the characters are thinly sketched
archetypes, much of the dialogue is cliché-laden and fails to
ring true, and some of the flights of fancy (including an incongruous
excursion to Russia) are distractingly self-indulgent. The film
sometimes comes across as a limp remake of one of Claude Sautet's films
from the 1970s - a far cry from the bitterly intense social realism of
the Dardenne brothers and Ken Loach. The film's one saving grace
is a knock out central performance from Daniel Auteuil, who brings
genuine human feeling and sincerity to a film that is too glossy for
its own good. With his engaging, everyman persona, Auteuil
perfectly encapsulates the decent, well-meaning small businessman who
puts human interest before profit - the kind of individual who is fast
become a thing of the past in our increasingly money-orientated world.
© James Travers 2012
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Next Jacques Maillot film:
Nos vies heureuses (1999)
Film Synopsis
Georges Pierret is a shipyard owner who has run into financial
difficulty. As his debts mount, he can no longer
turn to his bank for support. Yet he is determined
to save the company to which he has devoted his life and
which provides a livelihood to a workforce that he
regards almost as his own family. But times
are tough, competition is fierce and Georges's
struggle appears increasingly futile...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.