Film Review
La Française et l'amour
is one of those star-studded anthology extravaganzas that flooded the
European market in the 1950s and 60s. Dealing with the illusions
and tribulations of conjugal life, this episodic comedy of manners was
a box office hit (it drew an audience of 3.1 million in France alone)
but it garnered mixed reviews from the critics. Some reviewers
found the actors unconvincing, others found the film pertinent for the
times. Without doubt, its main appeal is the cavalcade of
familiar names - actors and directors - who lent their collective
efforts to the film.
It is of course inevitable that the quality varies across the seven
instalments that make up the film, and no one expects each of these
twenty minute episodes to be a classic.
La Française et l'amour is
by no means a masterpiece but it is a pleasant enough timewaster.
Part of its charm is the amusing animation in the narrated linking
sequences.
The versatile director Henri Decoin opens the film with a childhood
dilemma featuring Jacqueline Porel and Pierre-Jean Vaillard. This
is followed by Sophie Desmarets and Pierre Mondy (under the direction
of Jean Delannoy) worrying about their teenage daughter. Next,
Michel Boisrond guides Valérie Lagrange and Pierre Michaël
as they hesitate over losing their virginity. René Clair
then steps in as Marie-José Nat and Claude Rich head tentatively
towards marriage. The fifth story (directed by Henri Verneuil) is
about adultery - just what should Paul Meurisse do when Dany Robin is
courted by Jean-Paul Belmondo? Twenty minutes is enough for
Christian-Jaque to display all his
savoir-faire
as Annie Girardot and François Périer face up to the
realities of divorce. In the last segment (from Jean-Paul Le
Chanois), Martine Carol must learn how to defend herself against the
charms of Robert Lamoureux.
With the screenwriting duties in the hands of such competent masters as
Michel Audiard and Charles Spaak, the dialogue is fierce and feisty,
and further pleasure is to be gained from the ample supporting cast
which includes such luminaries as Darry Cowl, Noël Roquevert, Yves
Robert, Denise Grey, Jean Poiret, Michel Serrault and Francis
Blanche. Sadly, the film is currently only available on DVD in a
hard-to-find Jean-Paul Belmondo collection.
© Willems Henri (Brussels, Belgium) 2013
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Next Michel Boisrond film:
Amours célèbres (1961)
Film Synopsis
As any woman knows, the process of discovering love is one that takes a lifetime,
each season of life revealing a different facet of this most mysterious of
phenomena. Here are seven tales representing the key stages on the
sentimental journey experienced by women in modern-day France. In
Childhood,
an inquisitive seven-year-old, Gisèle, is curious to discover where
babies comes from. Her parents are unsure how to respond to her continual
questions on the matter. In
Adolescence, 16-year-old Bichette
has no shortage of admirers, boys of her own age who shower her with compliments
that feed her vanity. Fortunately, she has a sensible mother who can
steer her through this hormonal minefield.
In
Virginity, a young man named François is desperate to spend
his first night with his fiancée Ginette. Their engagement is
longer than he had hoped, and he can contain his passion no longer.
When her future husband threatens to take a mistress, Ginette has no choice
but to give in to his demands. They agree to meet in a hotel, but the
encounter does not pass off as expected. In
Marriage, a couple
of newlyweds can hardly wait to get away for their honeymoon. With
the ordeal of the wedding behind them, the groom is looking forward to a
relaxing holiday with his beloved, but the bride's jealousy is too easily
piqued and threatens the marriage even before it has got underway.
In
Adultery, Nicole, a married woman, attracts the attentions of another
man. The lover turns out not to be as attentive as he first seems,
but worse still, the husband appears totally unconcerned by his wife's infidelity.
In
Divorce, a couple decide to separate after ten years of conjugal
life. They still remain the best of friends and agree on an amicable
parting of the ways, but their interfering entourage appears determined to
drive them apart completely. In
The Single Woman, an agreeable
conman named Monsieur Désiré has a habit of preying on vulnerable
single women. In the end, one of his unsuspecting victims will out-manoeuvre
him...
© James Travers
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