La Fille de d'Artagnan (1994)
Directed by Bertrand Tavernier, Riccardo Freda

Adventure / Comedy / History
aka: Revenge of the Musketeers

Film Review

Abstract picture representing La Fille de d'Artagnan (1994)
This was never going to be as fast-moving and as action-packed as previous films in the Three Musketeers mould - not with the leading protagonists now in their mid-fifties.  However, despite some admirable production values (the photography is excellent), the film never really seems to get going, and the fight scenes appear half-hearted and overly choreographed.

Given that this is advertised as being a film about D'Artagnan's daughter, it is a bit disappointing to see how small a part the daughter in question has to play in the film.   It all starts out well, with Sophie Marceau throwing herself into the part with a gusto, launching into a brief but well-managed fight scene (the best of the film) within the first twenty minutes.  But all too soon, Miss D'Artagnan goes it alone and is captured by the villain of the piece, thereafter forced to play the damsel in distress until daddy turns up to rescue her.  So much for women's lib.  Luckily, D'Artagnan's daughter manages to redeem herself - partly - in the final fight scene - although it is (of course) daddy who saves her in the end (again).

Probably the best thing about the film is its wry, self-deprecating humour.  Philippe Noiret's mildly lugubrious persona and dry wit is well suited to the part of the decrepit D'Artagnan, even if his skill with a sword looks a bit questionable.
© James Travers 2000
The above content is owned by frenchfilms.org and must not be copied.
Next Bertrand Tavernier film:
L'Appât (1995)

Film Synopsis

In 1645, Eloise, the daughter of the great swordmaster D'Artagnan, lives in a monastery in southern France.  One night, the monastery is disturbed by nobles pursing an escaped negro slave.  In the melee, the Mother Superior is killed.  Eloise suspects a conspiracy and rides to Paris to see her father, accompanied by a young poet, Quentin.  At first, D'Artagnan is reluctant to take up his daughter's call to arms, but he agrees when he realises that the king's life is at stake.  After all, it provides a long over due excuse to meet up with his former comrades, the three Musketeers, Athos and Porthos and Aramis.  Although long in the tooth and grey-haired, the lust for adventure is still there, albeit somewhat tempered by rheumatism and haemorrhoids...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Bertrand Tavernier, Riccardo Freda
  • Script: Jean Cosmos, Riccardo Freda, Michel Léviant, Eric Poindron, Bertrand Tavernier
  • Cinematographer: Patrick Blossier
  • Music: Philippe Sarde
  • Cast: Sophie Marceau (Eloïse d'Artagnan), Philippe Noiret (D'Artagnan), Claude Rich (Duke of Crassac), Sami Frey (Aramis), Jean-Luc Bideau (Athos), Raoul Billerey (Porthos), Charlotte Kady (Eglantine de Rochefort), Nils Tavernier (Quentin la Misère), Gigi Proietti (Mazarin), Jean-Paul Roussillon (Planchet), Pascale Roberts (Mother Superior), Emmanuelle Bataille (Sister Félicité), Christine Pignet (Sister Céline), Fabienne Chaudat (Sister Frédégonde), Josselin Siassia (Slave), Jean-Claude Calon (Slave Trader), Stéphane Legros (Louis XIV), Maria Pitarresi (Olympe), Jean Martinez (Duke of Longueville), Patrick Rocca (Bargas)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 125 min
  • Aka: Revenge of the Musketeers

The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright