Film Review
Director Emmanuelle Bercot garnered considerable acclaim with her 2015 film
La Tête haute which
presented a moving account of the taming of a wild adolescent. Her follow-up
feature,
La Fille de Brest, is a complete contrast - a medical thriller
inspired by the biggest pharmaceuticals scandal to hit France - but is likely
to be a comparable success, even if it doesn't quite do justice to its subject
matter. The film was over three years in the making, during which time
Bercot and her screenwriter Séverine Bosschem gathered a mass of information
by interviewing Irène Frachon, the medical practitioner who blew the
whistle that lifted the lid on the scandal, and many of those implicated
in the affair.
The authors' painstaking research shows in the film's meticulous attention
to detail but in coming at the film from the angle of mainstream entertainment
Bercot fails to get across the scale of Frachon's achievement. What
is also lacking is a sense of the enormity of the crime committed by the
pharamaceuticals company that tried to prevent the blunder from coming to
light, and how much damage was caused to the industry when Franchon published
her book
Mediator, 150mg: combien de morts? in 2010. Bercot
reduces the whole thing to the level of a primetime television thriller,
a classic good versus evil tale with clear moral certainties and a neat ending.
In reality, the story is far from over and many questions remain unanswered.
Allowing for its poetic licence,
La Fille de Brest has a remarkable
story to tell, one in which a lone woman doctor took on one of France's leading
pharmaceuticals companies (Laboratoires Servier) and, through sheer bloody-minded
persistence, won. It was Irène Frachon, the girl of the film's
title, who first established an incontrovertible link between heart failure
and regular use of the drug Mediator, which had been on sale since 1976 as
a treatment for diabetes and weight-loss. 500 people are known to have
died from taking the drug, but the true fatality rate may be much higher,
possibly running into several thousands. In the public furore which
followed the publication of Frachon's book, legal battles ensued and the
company's owner Louis Servier was put on trial for manslaughter, not long
after he was awarded the Légion d'Honneur by president Nicolas Sarkozy,
his former lawyer.
All this would have made a gripping documentary, and this is perhaps how
the subject
should have been presented, with an unbiased perspective
(unlike Bercot's film which is ridiculously one-sided). By rejecting
the documentary option and instead opting for a conventional kind of
thriller, Bercot portrays Irène Frachon as a rather faceless heroine
(in fact she is considered France's equivalent to the American Erin Brockovich,
who fought a similar one-woman crusade against the energy giant PG&E).
The Danish actress Sidse Babett Knudsen (best known for the Danish television
series
Borgen) gives a fairly convincing portrayal as Frachon, stressing
both her determination and her humanity, but it is hard to see from this
film what made Frachon such an exceptional individual. No doubt in
an attempt to jack up the audience figures, Bercot constructs a neat thriller
intrigue from the documented facts that is only barely credible and resorts
to cheap sensationalism, including sequences depicting an open heart operation
and an autopsy.
Knudsen suffers not only from a mediocre script which requires her to deliver
the most unnatural dialogue but also having to be partnered with Benoît
Magimel, who looks about as comfortable in the role of a committed medical
researcher as Groucho Marx would be in an Ingmar Bergman film. Magimel's
inconsistent and exaggerated performance can again be put down to an over-emphatic
script which turns Manichaeism into a fine art. As a fairly conventional
thriller,
La Fille de Brest plays well enough. It is reasonably
well-paced, well-photographed and has no difficulty holding the spectator's
attention, but as an honest tribute to one woman's courageous tenacity, and
as a credible exposé of one of the most shocking corporate scandals
in recent times, the film falls considerably short of expectations.
© James Travers 2017
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